CÚzanne

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Phaidon, 2000 - Art - 351 pages
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With his distinctive paintings of landscapes, figures and still lifes, Paul Cezanne (1839-1906) profoundly influenced the Cubists and the direction of twentieth-century art. In this lively account of the artist's life and work, Mary Tompkins Lewis traces Cezanne from his early years in Aix-en-Provence, struggling to become a painter in the face of opposition from his father, through his time in Paris studying the Old Masters and working with the Impressionists, to his later, reclusive years back in Provence, when he produced the pictures that made him the precursor of a new art.

But however important Cezanne's work was for later generations, Lewis argues that it can be fully understood only in the context of both the social and historical circumstances of late nineteenth-century France, and the regional aspirations and tensions of Provence. This is the first study of Cezanne to bring biographical, formal and contextual approaches to bear on the artist's full career. In doing so, Lewis has shed new light on Cezanne as an artist of his own time and place.

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C├ęzanne

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In the catalog to the Cezanne exhibition showing in Paris, London, and Philadelphia, Director of the Musees de France Cachin, Philadelphia Museum of Art curator Joseph J. Rishel, and staff at the ... Read full review

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Contents

Introduction
Myths and Realities
The Flayed
Copyright

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About the author (2000)

Mary Tompkins Lewis has taught at the University of Pennsylvania, Colgate, and Parsons School of Design. She has lived and studied in Paris and Aix-en-Provence and now lives in New York City. She is a contributor to "Cezanne: The Early Years, 1859-1872" (New York, 1988).

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