On Method Acting |
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Page 13
... actors . For those not familiar with it , I believe it wise to clarify it now since it is used quite extensively throughout this book . An actor's instrument is his whole self . It is his body , his mind and being , complete with ...
... actors . For those not familiar with it , I believe it wise to clarify it now since it is used quite extensively throughout this book . An actor's instrument is his whole self . It is his body , his mind and being , complete with ...
Page 87
... actor's instrument . The exercises are unnatural to speech and voice as we know them in life . In life we speak to ... actor ( enunciations and accents included ) have , because of their natural qualities , become as indentifiable with ...
... actor's instrument . The exercises are unnatural to speech and voice as we know them in life . In life we speak to ... actor ( enunciations and accents included ) have , because of their natural qualities , become as indentifiable with ...
Page 148
... actor's instrument is being trained , not only by the hap- penings in everyday life , but also , while we sleep . It is , of course , a kind of training that needs conscious awareness and further conscious preparatory training in order ...
... actor's instrument is being trained , not only by the hap- penings in everyday life , but also , while we sleep . It is , of course , a kind of training that needs conscious awareness and further conscious preparatory training in order ...
Contents
Introduction | 1 |
On the Art of Acting | 11 |
On Actors Problems | 71 |
Copyright | |
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Common terms and phrases
able acting actions actor's instrument Actors Studio actress actually Affective Memory exercise Animal Exercises artistic aspects audience author's awareness baby begin behavior believe body chair chapter characterization Cohan complete conscious create creative director emotions end result exer experience expression eyes feeling Geraldine Page Group Theatre happened Harold Clurman Hatful Of Rain human imagination imitation important improvisation individual Inner Character involved James Dean Lee Strasberg legs lines Marilyn Marilyn Monroe Marlon Brando means mental Method actors Moscow Art Theatre movement natural never object observation Outer Character pain pantomimic performance person phase Physical Exercise physical task play portraying problems produce qualities reader reality realize reason rehearsals relaxation remember role scene script sensation Sense Memory sensory simple sitting situation sometimes speak speech stage Stanislavsky student subconsciously talent teacher tension theatrical thoughts tion true truth usually voice walk words