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Thematic and Tonal Patterns
Dramatic Design and Moral
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Abhijnana achieved action aesthetic appreciation artistic Aswatthama audience Banarasidass Bharata Bhasa Bhavabhuti Bhima Chanakya Chandragupta character Charudatta Chowkhamba complex context contrast conventional Delhi delineation designed discussion dramatic dramatised Durjaya Duryodhana Dushyanta Dushyanta and Shakuntala elements emotional emphasized epic evocation experience feeling filial fulfilment Gandhari grief hermitage heroic human Ibid Indian Classical drama Indian drama interest Kalidasa Kanva Karuna Kashyapa kind king literary manner Maricha mind mood moral Mrichchakatikam MudraRakshasam Nandas nataka nature Natyashastra offer ordinary organisation Pandavas passion perspective playwright poetic poetry political present protagonist Rakshasa Rama Rama's rasa realisation revealing sambhoga Samvahaka Sandhi Sanskrit drama Sanskrit plays Sarvadamana scene sense sentiments Shakara Shakuntala shringara Shudraka significant similarly Sita social spectator stage style suggest supreme theatre thematic theme tone traditional tragedy tragic Urubhangam UttaraRamacharitam Valarama Valmiki values Varanasi Vasantasena Vasanti Vasistha verse Vipralambha Visakhadatta vision Western critics