Gender and Jewish Difference from Paul to Shakespeare (Google eBook)

Front Cover
University of Pennsylvania Press, Apr 9, 2013 - History - 288 pages
0 Reviews

Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Christian identity through strategic use of representations of Others: idealized Jewish patriarchs or demonized contemporary Jews; Woman represented as either virgin or whore. In Western thought, the Christian was figured as spiritual and masculine, defined in opposition to the carnal, feminine, and Jewish.

Women and Jews are not simply the Other for the Christian exegetical tradition, however; they also represent sources of origin, as one cannot conceive of men without women or of Christianity without Judaism. The bifurcated representations of Woman and Jew found in the literature of the Middle Ages and beyond reflect the uneasy figurations of women and Jews as both insiders and outsiders to Christian society.

Gender and Jewish Difference from Paul to Shakespeare provides the first extended examination of the linkages of gender and Jewish difference in late medieval and early modern English literature. Focusing on representations of Jews and women in Chaucer's Canterbury Tales, selections from medieval drama, and Shakespeare's Merchant of Venice, Lampert explores the ways in which medieval and early modern authors used strategies of opposition to—and identification with—figures of Jews and women to create individual and collective Christian identities. This book shows not only how these questions are interrelated in the texts of medieval and early modern England but how they reveal the distinct yet similarly paradoxical places held by Woman and Jew within a longer tradition of Western thought that extends to the present day.

  

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

MADE NOT BORN
1
2 THE HERMENEUTICS OF DIFFERENCE
21
3 REPRIORITIZING THE PRIORESSS TALE
58
4 CREATING THE CHRISTIAN IN LATE MEDIEVAL EAST ANGLIAN DRAMA
101
5 O WHAT A GOODLY OUTSIDE FALSEHOOD HATH EXEGESIS AND IDENTITY IN THE MERCHANT OF VENICE
138
CONCLUSION
168
LIST OF ABBREVIATIONS
173
NOTES
175
BIBLIOGRAPHY
235
INDEX
265
ACKNOWLEDGMENTS
275
Copyright

Common terms and phrases

About the author (2013)

Lisa Lampert teaches English literature and comparative medieval studies at the University of California, San Diego.

Bibliographic information