The New Spirit (Google eBook)

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W. Scott, Limited [pref., 1892 - Literature, Modern - 250 pages
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Page 119 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins...
Page 116 - Prais'd be the fathomless universe, For life and joy, and for objects and knowledge curious, And for love, sweet love — but praise! praise! praise! For the sure-enwinding arms of cool-enfolding death. Dark mother always gliding near with soft feet, Have none chanted for thee a chant of fullest welcome? Then I chant it for thee, I glorify thee above all, I bring thee a song that when thou must indeed come, come unfalteringly.
Page 268 - The Great Tone Poets," etc., etc. Illustrated with Photogravure and Collotype Portraits, Half-tone and Line Pictures, Facsimiles, etc. Square Crown 8vo, Cloth, js. 6d. net. VOLUMES NOW READY. THE STORY OF ORATORIO. By ANNIE W. PATTERSON, BA, Mus. Doc. THE STORY OF NOTATION. By CF ABDY WILLIAMS, MA, Mus. Bac. THE STORY OF THE ORGAN. By CF ABDY WILLIAMS, MA, Author of "Bach" and "Handel" ("Master Musicians' Series "). THE STORY OF CHAMBER MUSIC.
Page 109 - I have said that the soul is not more than the body, And I have said that the body is not more than the soul, And nothing, not God, is greater to one than one's self is...
Page 117 - And life and the fields, and the huge and thoughtful night. The night in silence under many a star, The ocean shore and the husky whispering wave whose voice I know, And the soul turning to thee O vast and well-veil'd death, And the body gratefully nestling close to thee.
Page 116 - I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood.
Page 97 - Think of him, —of his rare qualities! — such a man as it takes ages to make, and ages to understand; no mock hero, nor the representative of any party. A man such as the sun may not rise upon again in this benighted land. To whose making went the costliest material, the finest adamant; sent to be the redeemer of those in captivity; and the only use to which you can put him is to hang him at the end of a rope!
Page 256 - THOMAS GORDON'S TRANSlation. Edited, with an Introduction, by Arthur Galton. 61 ESSAYS OF ELIA. BY CHARLES LAMB. EDITED, with an Introduction, by Ernest Rhys. 62 BALZAC'S SHORTER STORIES. TRANSLATED BY William Wilson and the Count Stenbock. 63 COMEDIES OF DE MUSSET. EDITED, WITH AN Introductory Note, by SL Gwynn. 64 CORAL REEFS. BY CHARLES DARWIN. EDITED, with an Introduction, by Dr. JW Williams. 65 SHERIDAN'S PLAYS. EDITED, WITH AN INTROduction, by Rudolf Dircks. 66 OUR VILLAGE. BY MISS MITFORD....
Page 268 - Irish Music." THE STORY OF ORGAN MUSIC. By CF ABDY WILLIAMS, MA, Mus. Bac. THE STORY OF ENGLISH MUSIC (1604-1904): being the Worshipful Company of Musicians
Page 255 - TALES AND ESSAYS. EDITED, WITH INTROduction, by Ernest Rhys. 42 VICAR OF WAKEFIELD. BY OLIVER GOLDSMITH. Edited, with Preface, by Ernest Rhys. 43 POLITICAL ORATIONS, FROM WENTWORTH TO Macaulay. Edited, with Introduction, by William Clarke. 44 THE AUTOCRAT OF THE BREAKFAST-TABLE. BY Oliver Wendell Holmes. 45 THE POET AT THE BREAKFAST-TABLE. BY OLIVER Wendell Holmes. 46 THE PROFESSOR AT THE BREAKFAST-TABLE. BY Oliver Wendell Holmes. 47 LORD CHESTERFIELD'S LETTERS TO HIS SON. Selected, with Introduction,...

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