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Specimens of English Dramatic Poets: Who Lived about the Time of Shakespeare
Limited preview - 2013
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1st Footman 1st Lady 2d Lady Allan beauty Belvil better boys character child Christ's Hospital Clare Council of Constance countenance creature dead dear death deformity delight dizzard dream Elinor express eye of mind eyes face fancy fear feel Gent GEORGE WITHER give grace grief Hamlet hath hear heart Hogarth honor human humor images innocence John John Tomkins Kath kind Landlord leave less living look Lord Lovel maid March to Finchley Marg Margaret Matravis melancholy Melesinda mind mirth mistress moral nature ness never night old lady passion person play pleasure poet poor Rake's Progress Rosamund scene seems Selby servants Shakspeare smile sort soul speak spirit suffered sweet Tamburlaine tears tell tender thee things THOMAS MIDDLETON thou thought tion truth virtue Waiter Widford wife WILLIAM ROWLEY wonder Woodvil words young
Page 143 - Achilles' image stood his spear Grip'd in an armed hand; himself behind Was left unseen, save to the eye of mind: A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined.
Page 90 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Page 281 - Closed are her doors on me, I must not see her — All, all are gone, the old familiar faces. I have a friend, a kinder friend has no man ; Like an ingrate, I left my friend abruptly ; Left him, to muse on the old familiar faces.
Page 177 - But man is a noble animal, splendid in ashes, and pompous in the grave, solemnizing nativities and deaths with equal lustre, nor omitting ceremonies of bravery in the infamy of his nature.
Page 281 - THE OLD FAMILIAR FACES I HAVE had playmates, I have had companions In my days of childhood, in my joyful school-days ; All, all are gone, the old familiar faces.
Page 292 - Jewel, Honey, Sweetheart, Bliss, And those forms of old admiring, Call her Cockatrice and Siren, Basilisk, and all that's evil, Witch, Hyena, Mermaid, Devil, Ethiop, Wench, and Blackamoor, Monkey, Ape, and twenty more; Friendly Trait'ress, loving Foe, — Not that she is truly so, But no other way they know A contentment to express, Borders so upon excess, That they do not rightly wot Whether it be pain or not.
Page 120 - Milton, as if personating one of the zealots of the old law, clothed himself when he sat down to paint the acts of Samson against the uncircumcised. The great obstacle to Chapman's translations" being read, is their unconquerable quaintness. He pours out in the same breath the most just and natural, and the most violent and crude expressions.
Page 82 - It may seem a paradox, but I cannot help being of opinion that the plays of Shakespeare are less calculated for performance on a stage, than those of almost any other dramatist whatever.
Page 307 - twere to tell, How with a nobler zeal, and warmer love, She served her heavenly master. I have seen That reverend form bent down with age and pain And rankling malady. Yet not for this Ceased she to praise her maker, or withdrew Her trust in him, her faith, and humble hope — So meekly had she learn'd to bear her cross — For she had studied patience in the school Of Christ, much comfort she had thence derived, And was a follower of the NAZARENE.
Page 273 - WHEN maidens such as Hester die Their place ye may not well supply, Though ye among a thousand try With vain endeavour. A month or more hath she been dead, Yet cannot I by force be led To think upon the wormy bed And her together. A springy motion in her gait, A rising step, did indicate Of pride and joy no common rate That...