Modern Art, 19th and 20th Centuries |
Contents
CEZANNE | 1 |
BETWEEN PAGE 42 AND 43 | 4 |
COURBET AND POPULAR IMAGERY | 47 |
Copyright | |
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abstract art abstract painting academic art aesthetic Alfred Stieglitz American appears apples Armory Show Arshile Gorky artists aspect Baudelaire beauty Broadway Boogie-Woogie Buchon canvas Cézanne Cézanne's Chagall Chagall's Champfleury Collection color composition conception contemporary contrast Courbet criticism Cubist culture Delacroix drawing elements European exhibition experience expression fantasy feeling field figure forms freedom Gogh Gorky grid Gustave Courbet human Ibid ideal ideas imagery imagination Impressionism Impressionists individual Ingres interest l'art landscape later Léger lines Manet modern art Mondrian mood movement Museum of Modern nature nineteenth century nude Oeuvres older painter painting and sculpture Paris Paul Cézanne perspective Picasso picture popular primitive pure Puvis qualities reaction realism representation represented reproduced Riat romantic Salon scene seems sense Seurat shapes social space square still-life still-life objects style subjects symbolic taste themes tion tive tradition tures values vision watercolor whole woman York Zola