The Rider of Lost Creek

Front Cover
Turtleback Books, 1976 - Fiction - 208 pages
13 Reviews
Kilkenny owes Mort Davis his life, so when Davis finds himself caught in a violent struggle between two powerful and arrogant families, Kilkenny answers the call for help. He tries to broker a peace between the warring patriarchs, Webb Steele and Chet Lord, but soon realizes that Steele and Lord are merely pawns in a sinister plot that could destroy both men, their families... and anyone who gets in the way. It's a grab for money and power, involving a mysterious and reclusive beauty, a psychotic killer, and a dark figure from Kilkenny's past who's determined to get what he wants -- and what he wants most of all is Kilkenny dead.

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Review: The Rider of Lost Creek (Kilkenny #1)

User Review  - Leo - Goodreads

Very entertaining and relaxing book. The character are well defined add the plot has a great flow. Lance is the fastest gun but he is trying to pacify the two ranges that are in quarrel with their ... Read full review

Review: The Rider of Lost Creek (Kilkenny #1)

User Review  - Bette - Goodreads

I love Louis L'Amour books. Adventure, mystery, action + a little romance. Read full review

About the author (1976)

Born in Jamestown, North Dakota on March 22, 1908, Louis L'Amour's adventurous life could have been the subject of one of his novels. Striking out on his own in 1923, at age 15, L'Amour began a peripatetic existence, taking whatever jobs were available, from skinning dead cattle to being a sailor. L'Amour knew early in life that he wanted to be a writer, and the experiences of those years serve as background for some of his later fiction. During the 1930s he published short stories and poetry; his career was interrupted by army service in World War II. After the war, L'Amour began writing for western pulp magazines and wrote several books in the Hopalong Cassidy series using the pseudonym Tex Burns. His first novel, Westward the Tide (1950), serves as an example of L'Amour's frontier fiction, for it is an action-packed adventure story containing the themes and motifs that he uses throughout his career. His fascination with history and his belief in the inevitability of manifest destiny are clear. Also present and typical of L'Amour's work are the strong, capable, beautiful heroine who is immediately attracted to the equally capable hero; a clear moral split between good and evil; reflections on the Native Americans, whose land and ways of life are being disrupted; and a happy ending. Although his work is somewhat less violent than that of other western writers, L'Amour's novels all contain their fair share of action, usually in the form of gunfights or fistfights. L'Amour's major contribution to the western genre is his attempt to create, in 40 or more books, the stories of three families whose histories intertwine as the generations advance across the American frontier. The novels of the Irish Chantry, English Sackett, and French Talon families are L'Amour's most ambitious project, and sadly were left unfinished at his death. Although L'Amour did not complete all of the novels, enough of the series exists to demonstrate his vision. L'Amour's strongest attribute is his ability to tell a compelling story; readers do not mind if the story is similar to one they have read before, for in the telling, L'Amour adds enough small twists of plot and detail to make it worth the reader's while. L'Amour fans also enjoy the bits of information he includes about everything from wilderness survival skills to finding the right person to marry. These lessons give readers the sense that they are getting their money's worth, that there is more to a L'Amour novel than sheer escapism. With over 200 million copies of his books in print worldwide, L'Amour must be counted as one of the most influential writers of westerns in this century. He died from lung cancer on June 10, 1988.

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