Andean Art: Visual Expression and Its Relation to Andean Beliefs and Values
The aim of the book is to explore various facets of artistic expression (ranging temporally from four thousand years ago to the present day) in the Andean regions of South America, based on themes: social contexts, cultural expressions, recontextualisation, construction and meaning, and the role of art in the creation and animation of Andean landscapes. The various authors also move towards an archaeology, anthropology, or art history of visual expression that allows for an assessment of self-critical and reflexive developments on the part of the people who produced the artistic works under consideration. These visual worlds they created and continue to create make art in the Andes a fruitful and exciting field of study.
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Dramatisation of the Past in Indigenous
the Ayacucho Retable as a Social
Art in the Snuff Trays of San Pedro de Atacama Northern
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Aguada ancient Andean Art Andean Renaissance Andino animals anthropomorphic Antofagasta archaeological Arqueología artefacts artists associated Ayacucho Aymara basin birds burial camelid carved Casa Chavez Castro y Bocangel centre century ceramic Chavm Chile Cienaga coast colonial colour conopas contemporary Cusco Cuzco decoration deities double weave Dransart elements engraved Estudios evidence expression feline female fleece groups guanay guano head human figures iconography imagery images important Inca Indian Inka Inka Emperor islands Isluga Lima lithic Lizarraga llama Miriguaca MNAA Moche motifs Museo Nacional native objects Pachacuti Pachamama painted Pedro de Atacama personages Peru Peruvian Pishtaco pottery prehispanic present Puna Quechua region religious representation represented retablo ritual rock art San Pedro sanmarcos scene sea lion sectors snuff trays Spanish spinning stone structures supernatural symbolic techniques textiles theme Tiahuanaco tion Tiwanaku Tiwanaku iconography Tiwanaku style tradition tubes tunic Vega visual wak'as Wari warp weaving weft yarn