Parables for the Virtual: Movement, Affect, Sensation

Front Cover
Duke University Press, Apr 9, 2002 - Philosophy - 328 pages
9 Reviews
DIVAlthough the body has been the focus of much contemporary cultural theory, the models that are typically applied neglect the most salient characteristics of embodied existence—movement, affect, and sensation—in favor of concepts derived from linguistic theory. In Parables for the Virtual Brian Massumi views the body and media such as television, film, and the Internet, as cultural formations that operate on multiple registers of sensation beyond the reach of the reading techniques founded on the standard rhetorical and semiotic models.
Renewing and assessing William James’s radical empiricism and Henri
Bergson’s philosophy of perception through the filter of the post-war French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. If such concepts are as fundamental as signs and significations, he argues, then a new set of theoretical issues appear, and with them potential new paths for the wedding of scientific and cultural theory. Replacing the traditional opposition of literal and figural with new distinctions between stasis and motion and between actual and virtual, Parables for the Virtual tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan’s acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multi-faceted argument.
Parables for the Virtual will interest students and scholars of continental and Anglo-American philosophy, cultural studies, cognitive science, electronic art, digital culture, and chaos theory, as well as those concerned with the “science wars” and the relation between the humanities and the sciences in general./div
  

What people are saying - Write a review

User ratings

5 stars
4
4 stars
3
3 stars
0
2 stars
2
1 star
0

Review: Parables for the Virtual: Movement, Affect, Sensation

User Review  - Philip Cherny - Goodreads

countergravitational, hyperconnectability, copresence, indeterminate givenness, overpresence, periodicity, multiplex, hypermutable, factoidal, event-space, mesoperception, trans-situational, quasi ... Read full review

Review: Parables for the Virtual: Movement, Affect, Sensation

User Review  - Tom Bremer - Goodreads

This book recommended to me by Rhiannon Graybill. Read full review

Contents

CONCRETE IS AS CONCRETE DOESNT
1
THE AUTONOMY OF AFFECT
23
THE BLEED WHERE BODY MEETS IMAGE
46
THE POLITICAL ECONOMY OF BELONGING AND THE LOGIC OF RELATION
68
THE EVOLUTIONARY ALCHEMY OF REASON STELARC
89
ON THE SUPERIORITY OF THE ANALOG
133
CHAOS IN THE TOTAL FIELD OF VISION
144
THE BRIGHTNESS CONFOUND
162
STRANGE HORIZON BUILDINGS BIOGRAMS AND THE BODY TOPOLOGIC
177
TOOBLUE COLORPATCH FOR AN EXPANDED EMPIRICISM
208
NOTES
257
WORKS CITED
301
INDEX
311
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (2002)

DIV

Brian Massumi is Associate Professor of Communications at the Université de Montréal. He is the author of User’s Guide to Capitalism and Schizophrenia: Deviations from Deleuze and Guattari and First and Last Emperors: The Absolute State and the Body of the Despot.

/div

Bibliographic information