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Abraham Bosse ANTHONY GROSS aquatint aquatint grain areas artist Author's collection bath bite bitten bitumen blotting paper Book of Abraham British Museum brush burin burnisher burr called century chalk charcoal clean coarse colour printing Complete print measures copper copperplate oil dabber damp dark dots drawing drypoint Dutch mordant England etcher etching etching and engraving felts ferric chloride French gelatine Goya gravure grease grey grind hand hard heat heater Hercules Seghers hydrochloric inserted intaglio printing laid large plates light linseed oil liquid lithography London marks melted metal mezzotint minutes mixture needle nitric acid obtainable painter painting Paris piece possible powder pressure printmaking produced raw linseed Rembrandt remove resin rocker roller rosin rubbed scraper scratch scrim sculptors sheet of paper shellac soft ground solution steel faced stencil stop-out varnish surface tarlatan textures thick tint tone tray varnish wipe woodcut zinc