Kabuki Plays on Stage: Restoration and Reform, 1872-1905
James R. Brandon, Samuel L. Leiter
University of Hawaiʻi Press, 2003 - Drama - 464 pages
The twelve plays translated in the fourth and final voume of this monumental series cover the remarkable Meiji period, which followed the restoration of the emperor as the leader of Japan. They reflect the years in which reform-minded leaders struggled to help Japan catch up with the West. Dramatists no less than others sought ways to bring their traditional art into the modern world and international respectability to the national stage. Included are kabuki dance plays that strive to resemble no and kyogen; historical dramas that abandon the-atrical fantasy and opt for accurate reproduction of ancient manners; domestic dramas featuring colorful heroes and heroines; pieces that introduce faddish Western properties and behavior; and a play that bridges the gap between the conventions of classical kabuki, Shakespeare, and modern psychological drama. Dominating the era are the works of Kawatake Mokuami, the last great kabuki playwright, while the dramaturgy of literary scholar Tsubouchi Shoyo bringskabuki into the twentieth century.
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Traditional Japanese Theater: An Anthology of Plays
Karen Brazell,James T. Araki
Limited preview - 1998
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accompaniment actors AEBA audience Banzui Benkei bows BUTAKICHI castle CHOBEI CHOMATSU CHUSHICHI curtain DAIZO dance Danjuro Demon Ibaraki dramatic dressed drink exit face flute GENSHICHI hakama hanamichi hand drums HIDEYORI HIKOEMON HOSHO Ibaraki Ichikawa Ichimura-za IEYASU Ikaho Jinbo JIRO KAJA kabuki Kabuki-za KAKUZO KATSU Kawatake Mokuami Kikugoro kimono KINPIRA kneels KOREMOCHI KOSUKE kotsuzumi kyogen lady look lord MASAMICHI MASHIBA Master matsubame mono Meiji Meiji period mimes Mirror Lion MIZUNO Mokuami NAGAUTA NAOJIRO offstage OGURUMA OHAMA OKAKU OKUMA ONAGI OSHIGE OTATSU OTORA OYOSHI performed plavs PRINCESS RENNEN rickshaw puller RIEMON robe SAEMON sake samurai SANKICHI SARASHINA SARUKANE scene shamisen SHIGERU SHINZA SHIZUKA SHOEI sits sleeve SOGORO SOSUKE STAGE ASSISTANT stop sword TAHEI TAKEMOTO TARO KAJA theatre TOKIWAZU Tokugawa Tokugawa Ieyasu Tokyo translated Tsubouchi tsuke TSUNA turns UGENTA upstage vour wears woman YODOGIMI YOSHITSUNE ZENPACHI