Music and Song in Persia (RLE Iran B): The Art of AvazThis book is the first full-length analysis of the theory and practice of Persian singing, demonstrating the centrality of Persian elements in the music of the Islamic Middle Ages, their relevance to both contemporary and traditional Iranian music and their interaction with classical Persian poetry and metrics.
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Contents
| 1 | |
| 13 | |
3 Preservation and Propagation of Persian Music | 29 |
4 The Theory of Persian Music | 57 |
5 Persian Vocal Music | 108 |
6 Background of PersoArab Poetic Structure | 130 |
Appendices | 157 |
Epilogue | 326 |
| 329 | |
Glossary of Terms and Persons | 348 |
| 356 | |
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Common terms and phrases
2nd form Abu Ata Afshari Ap Bb Arabic Araq Avaz Azarbaijani Bayat-e Raje beloved Borumand Center for Preservation Chahar Mezrab Chahargah Chaharpare Daramad Daramad-e Avval Daramad-e Dovvom Darvish Khan Daryush Safvat Dashti dastgah Davami del-e Dobeiti Eastern Arts eshq Ferdosi first five Forud gushe Gushe-ye Hafez Hazin Hesar Homayun Hoseini Ibid influence instrument Iran Iranian Music Isfahan Islamic Jame-Daran Kereshme Khan khod Leili(o Maghlub Mahur Majnun Masnavi masters melodic segments Mirza Abdollah modal scale modal systems mode Mohammad Mokhalef musicians Muye mystic Naghme Nahib Nahoft Nava Neiriz Neishaburak Niyaz Noruz-e Oshshaq Pahlavi Parisa performance Persian music Persian traditional music poetry Preservation and Propagation Qarache Qarai quarter tone radif Rak-e Hindi Rak-e Kashmir Rastpanjgah Razavi ru-ye Rumi Sa‘di Saba santur Saqiname Segah setar Shekaste Shiraz Shirin Shur Shushtari song texts spiritual Sufi Tarz Tehran Tehran Journal Tork Translation verse vocal witness note Zabol Zangule