Baroque Self-invention and Historical Truth: Hercules at the Crossroads

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Ashgate, 2004 - Art - 201 pages
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In his monumental study, Christopher Braider explores the dialectical contest between history and truth that defines the period of cultural transition called the 'baroque'. For example, Annibale Carracci's portrayal of the Stoic legend of Hercules at the Crossroads departs from earlier, more static representations that depict an emblematic demigod who has already rejected the fallen path of worldly Pleasure for the upward road of heroic Virtue. Braider argues that, in breaking with tradition in order to portray a tragic soliloquist whose dominant trait is agonized indecision, Carracci joins other baroque artists, poets and philosophers in rehearsing the historical dilemma of choice itself.

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About the author (2004)

Christopher Braider is associate professor in the Department of French and Italian at the University of Colorado at Boulder.

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