Oxford Handbook of Synesthesia
Julia Simner, Edward M. Hubbard
Oxford University Press, 2013 - Art - 1077 pages
Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses', and so for those who experience it, everyday activities like reading or listening to music trigger extraordinary impressions of colours, tastes, smells, shapes and other sensations. Synesthesia research also informs us about normal sensation because all people experience cross-sensory mappings to an implicit degree. Synesthesia has a considerably broad appeal, and in recent decades the field has experienced a resurgence of interest. These advances have painted a detailed story about the development, genetics, psychology, history, aesthetics and neuroscience of synesthesia, and provide a contemporary source of study for a new generation of scholars. The Oxford Handbook of Synesthesia brings together this broad body of knowledge into one definitive state-of-the-art handbook. It includes a large number of concisely written chapters, under broader headings, which tackle questions about the origins of synesthesia, its neurological basis, its links with language and numbers, attention and perception, and with 'normal' sensory and linguistic processing. It asks questions about synesthesia's role in language evolution, and presents both contemporary and historical overviews of the field. It shows synaesthesia's costs and benefits (e.g., in creativity, memory, imagery) and describes how synaesthesia can provide inspiration for artists and designers. The book ends with a series of perspectives on synesthesia, including a first-hand account, and philosophical viewpoints which show how synaesthesia poses unique questions about sensation, consciousness and the nature of reality.
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SYNESTHESIA LANGUAGE AND NUMBERS
ATTENTION AND PERCEPTION
CONTEMPORARY AND HISTORICAL APPROACHES
NEUROLOGICAL BASIS OF SYNESTHESIA
COSTS AND BENEFITS CREATIVITY MEMORY AND IMAGERY
activation Anina Asperger syndrome associations auditory Banissy Baron-Cohen behavioral Brang chapter Cognitive Neuroscience Cohen Kadosh color synesthesia concurrent congruent connectivity controls cortical creative cross-modal correspondences Cytowic Dehaene digits distractors Dixon Eagleman effect elicited esthesia esthetes evidence example experimental fMRI forms of synesthesia functional fusiform gyrus grapheme grapheme-color synesthesia grapheme-color synesthetes imagery imaging incongruent individual differences inducer investigation Jamie Ward Jšncke Journal Julia Simner language letters Mattingley Maurer mechanisms memory mental Merikle metaphors mirror-touch modality multisensory multisensory integration neural neuroimaging Neuron non-synesthetes number forms ofthe Oxford Handbook participants photism processing projector Psychology Ramachandran and Hubbard reported response Rouw and Scholte savant Science sensory sensory substitution sequence sequence-space shape showed Simner and Edward Simon Baron-Cohen Smilek SNARC sound spatial forms stimuli Stroop Stroop task studies suggest synesthe synesthetic color synesthetic experience synesthetic perceptions target task temporal tion triggered Tsakanikos Vilayanur Vincent Walsh visual visual cortex visuo-spatial words