| Wayne Dowler - History - 1982 - 235 pages
Native soil was a mid-nineteenth-century Russian reaction against materialism and positivism. It emphasized the need for people to live their lives and develop themselves ... | |
| Richard Avramenko, Lee Trepanier - Philosophy - 2013 - 272 pages
This book explores Dostoevsky as a political thinker from his religious and philosophical foundation to nineteenth-century European politics and how themes that he had examined ... | |
| Joseph Frank - Literary Criticism - 1983 - 340 pages
This present volume is the second in a series dealing with the life and works of Dostoevsky [...] during the ten years [he] spent first in solitary confinement, then in a ... | |
| Inessa Medzhibovskaya - Literary Criticism - 2008 - 451 pages
The first book-length study on the subject in any language, Tolstoy and the Religious Culture of His Time treats Tolstoy's experience as a massive philosophical and religious ... | |
| Neil Cornwell - Literary Criticism - 2002 - 282 pages
The Routledge Companion to Russian Literature is an engaging and accessible guide to Russian writing of the past thousand years. The volume covers the entire span of Russian ... | |
| Predrag Cicovacki - Literary Criticism - 2011 - 375 pages
Dostoevsky’s philosophy of life is unfolded in this searching analysis of his five greatest works: Notes from the Underground, Crime and Punishment, The Idiot, The Possessed ... | |
| Valeria Sobol - Literary Criticism - 2011 - 320 pages
The destructive power of obsessive love was a defining subject of eighteenth- and nineteenth-century Russian literature. In Febris Erotica, Sobol argues that Russian writers ... | |
| Nikolai Chernyshevsky - Fiction - 2014 - 700 pages
No work in modern literature, with the possible exception of Uncle Tom's Cabin, can compete with What Is to Be Done? in its effect on human lives and its power to make history ... | |
| Lonny Harrison - Literary Criticism - 2016 - 203 pages
Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky’s stories and novels and argues that archetypes bring a new dimension to ... | |
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