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Books Books 11 - 20 of 165 on Achilles' image stood his spear, Grip'd in an armed hand : himself behind Was left....  
" Achilles' image stood his spear, Grip'd in an armed hand : himself behind Was left unseen, save to the eye of mind. A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. "
Shakespeares̓ Venus and Adonis, Lucrece, and other poems - Page 152
by William Shakespeare - 1906 - 297 pages
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The Analectic Magazine, Volume 5

1815
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. This he well calls imaginary work, where the spectator must meet the artist in his conceptions half...
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The Scots Magazine and Edinburgh Literary Miscellany, Volume 76

English literature - 1814
...spear, Grij'd in an armed hand ; himself behind Ws kit unseen, save to the eye of mind : A haad, a foot, a face, a leg, a head, Stood for the whole to be imagined. This be well calls Imaginary work, яЬеге the spectator must meet the srt in his conceptions...
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The Analectic Magazine...: Comprising Original Reviews, Biography ..., Volume 5

1815
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. This he well calls imaginary work, where the spectator must meet the artist in his conceptions half...
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The Works of Charles Lamb: In Two Parts, Volume 1

Charles Lamb - 1818
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. VOL. II. H This he well calls imaginary work, where the spectator must meet the artist in his conceptions...
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The Dramatic Works of Shakespeare

William Shakespeare - 1826 - 830 pages
...was there; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Griped in an armed hand: himself behind Was left unseen,...for the whole to be imagined. And from the walls of strong besieged Troy, When their brave hope, bold Hector, march'd to field, Stood many Trojan mothers,...
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The Dramatic Works of William Shakspeare, Volume 8

William Shakespeare, William Harness - Drama - 1830
...was there ; Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself, behind, Was left unseen,...strong-besieged Troy, When their brave hope, bold Hector, march d to field, Stood many Trojan mothers, sharing joy To see their youthful sons bright weapons...
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Anecdotes of William Hogarth: Written by Himself

William Hogarth - Art - 1833 - 416 pages
...was there, Conceit deceitful, so compact, so kind. That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...leg, a head. Stood for the whole to be imagined." This he well calls imaginary work, where" the spectator must meet the artist in his conceptions half...
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Rosamund Gray:: Recollections of Christ's hospital, etc. etc

Charles Lamb - 1835 - 356 pages
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. This he well calls imaginary work, where the spectator must meet the artist in his conceptions half...
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Rosamund Gray: Recollections of Christ's Hospital, Etc. Etc

Charles Lamb - 1835 - 356 pages
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, Grip'd in an armed hand ; himself behind Was left unseen,...foot, a face, a leg, a head, Stood for the whole to he imagined. This he well calls imaginary work, where the spectator must meet the artist in his conceptions...
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The Prose Works of Charles Lamb, Volume 1

Charles Lamb - English literature - 1836
...was there, Conceit deceitful, so compact, so kind, That for Achilles' image stood his spear, GripM in an armed hand ; himself behind Was left unseen,...a leg, a head, Stood for the whole to be imagined. This he well calls imaginary work, where the spectator must meet the artist in his conceptions half...
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