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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Plays & Poems of Shakespeare: According to the Improved Text of Edmund ... - Page 61
by William Shakespeare - 1857
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The Stratford Shakspere, ed. by C. Knight, Volumes 17-22

William Shakespeare - 1856 - 824 pages
...GUILDENSTERN. HAM. Ay, so, God be wi' you : Now I am alone. 0, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in 's...
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The works of William Shakspere. Knight's Cabinet ed., with ..., Volume 7

William Shakespeare - 1856 - 380 pages
...Ros. and GUII.. Ham. Ay, so, God be wi' you : Now I am alone. O, what a rogue and peasant slave am l ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warm'd ; Tears in his eyes, distraction in 's...
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The philosophy of William Shakespeare delineating in seven hundred and fifty ...

William Shakespeare - 1857 - 710 pages
...CONSCIOUSNESS. AY, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting tongue, With forms to his conceit ? And...
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Shakspearian Reader: A Collection of the Most Approved Plays of Shakspeare ...

William Shakespeare - 1857 - 488 pages
...GUILDENSTERFI. Ham. Ay, so, heaven be wi' you : — NQW I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...visage wann'd ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit ? and all for...
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Shakespeare's Hamlet, herausg. von K. Elze

William Shakespeare - 1857 - 352 pages
...GUILDENSTEHX. Ham. Ay , so ; good bye to you. — Now I am alone. 0 , what a rogue and peasant slave am I ! Is it not monstrous, that this player here , But in...his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing!...
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The Complete Works of Shakspeare, Revised from the Best ..., Volume 1

William Shakespeare - 1857 - 630 pages
...GUILDENSTEHN Ham. Ay, so, God be wi' you. — Now I am alone. 0, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wanned; Tears in his eyes, distraction in 's aspdct, A broken voice, and his whole function suiting...
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The book of recitations [ed.] by C.W. Smith

Charles William Smith (professor of elocution.) - 1857 - 338 pages
...HAMLET'S SOLILOQUY ON HIS IRRESOLUTION. Hamlet. Now I am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warmed ; Tears in his eyes, distraction in ' s...
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Shakespeare's Comedies, Histories, Tragedies, and Poems, Volume 5

William Shakespeare - 1858 - 752 pages
...GUILDENSTERN. Ham. Ayr so, good bye you. — Now I-am alone. Oh, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...conceit, That, from her working, all his visage wann'd 4 ; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With...
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The Collected Works of Thomas Carlyle: Life of Friedrich Schiller (1825 ...

Thomas Carlyle - Chartism - 1858 - 348 pages
...ends the second act ! How charming it will be to speak it ! " 0 what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in...in a dream of passion, Could force his soul so to bis own conceit, That from her working all his visage wann'd ; Tears in his eyes, distraction in his...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - Psychology - 2001 - 358 pages
...empathy as well, in one of the play's best-known soliloquies: O what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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