 I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But...  Notes and Queries - Page 2091855Full view - About this book
 | English essays - 1825 - 726 pages
...did fell Without just weigbt to ballance it w'hall.* • What saith the Actor's immortal Tutor? • this player here, But in a fiction, in a dream of...own conceit, That, from her working, all his visage wann'd, Tears in his eyes, distraction in 's aspect, A broke.-, voice, and his whole function suiting... | |
 | Early English newspapers - 1825 - 970 pages
...did fall Without just weight to ballance it w'hall.* • What saith the Actor's immortal Tutor? • this player here, But in a fiction, in a dream of...to his own conceit, That, from her working, all his viiag« wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function... | |
 | William Shakespeare - 1826 - 540 pages
...origin.'—Steetens. Ham. Ay, so, good bye to you:—Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd 70 ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - 1826 - 554 pages
...Steevens. I In in. Ay, so, good bye to you : — Now I am alone. O what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...own conceit, That from her working, all his visage wann'd70; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | English drama - 1826 - 508 pages
...not. [Exeunt POLONIUS and Acton, L. Now I ara alone, (c.) O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...fiction, in a dream of passion, Could force his soul into his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction... | |
 | George Daniel, John Cumberland - English drama - 1827 - 364 pages
...figure ; the semblance of life, not the reaBly. It is recorded that Garrick " But in '.tfii-tioi/, in a dream of passion. Could force his soul so to...own conceit. That, from her working, all his visage varm'd. Tears in his eyes, distraction in his aspect, A broken voice, and his whole fuiictiou suiting... | |
 | English drama - 1827 - 368 pages
...automaton — a wax-work figure ; the semblance of life, not the reality. It is recorded that Garrick " But in a fiction, in a dream of passion. Could force his soul so to his own conceit, Thatj from her working, al] his visage warm'd. Tears in his eyes, distraction in his aspect, A broken... | |
 | William Shakespeare - 1827 - 658 pages
...REFLECTIONS ON THE PLAYER AND HIMSELF. 0, what a rogue and peasant slave am I! Is it not monstrous, that thfs player here, But in a fiction, in a dream of passion, Could force his souMo his own conceit. That from her working, all his visage wann'd; Tears in his eyes, distraction... | |
 | William Shakespeare - 1828 - 448 pages
...you: — Now I am alone. 0 what a rogue and peasant slave am I ! Is it not monstrous that thls plnyer here, But in a fiction, in a dream of passion, Could...own conceit, That from her working, all his visage wann'd ; Tears in hia eyes, distraction in's aspect, A hroken voice, and his whole function suiting... | |
 | Thomas Curtis - Aeronautics - 1829 - 820 pages
...This is the monstruosity in love, that the will is infinite, and the execution confined. ShaJapeare. Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his conceit. That, from her working, all his visage waned '. He walks; And that self-chain about his neck,... | |
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