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Books Books 91 - 100 of 125 on Give me my robe, put on my crown ; I have Immortal longings in me. Now no more The....  
" Give me my robe, put on my crown ; I have Immortal longings in me. Now no more The juice of Egypt's grape shall moist this lip : Yare, yare, good Iras ; quick. Methinks I hear Antony call ; I see him rouse himself To praise my noble act... "
The plays of William Shakspeare, with the corrections and illustr. of ... - Page 401
by William Shakespeare - 1809
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The Heroic Idiom of Shakespearean Tragedy

James C. Bulman - Literary Criticism - 1985 - 254 pages
...declares, and we remember vividly Enobarbus's description of her on her barge, a beauty surpassing Venus. "Methinks I hear / Antony call; I see him rouse himself/ To praise my noble act" (11. 28384), she imagines, and we at once see her fulfilling the stoic promise for which Antony...
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Shakespeare's Tragedies: An Introduction

Dieter Mehl - Drama - 1986 - 272 pages
...Cleopatra understands it, is equality of nobleness and courage, not sensual infatuation or bondage: - methinks I hear Antony call. I see him rouse himself...come. Now to that name my courage prove my title! (v.2..2.S2.- 7} By joining her husband in death, she vouches for the reality and truth of what at first...
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Antony and Cleopatra

William Shakespeare - Drama - 1990 - 274 pages
...Now no more 275 The juice of Egypt's grape shall moist this lip. [The women dress her] Yare, yare, good Iras; quick. Methinks I hear Antony call. I see...rouse himself To praise my noble act. I hear him mock 256 so] Capell; not in F 273 sD.2 Enter. . .attire] Capell subst.; not in F: Re-enter Charmian and...
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Antony and Cleopatra

Harley Granville-Barker - Shakespeare, William - 1993 - 147 pages
...have Immortal longings in me: now no more The juice of Egypt's grape shall moist this lip. Yare, yare, good Iras: quick! Methinks I hear Antony call; I see...which the gods give men To excuse their after wrath. . . . Regular metre, saved from formality by the subtle variety of the mid-line stopping; the whole...
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Antony and Cleopatra

William Shakespeare - Drama - 1993 - 141 pages
...moist this lip. Yare, yare, good Iras; quick. Methinks I hear Antony call; I see him rouse himself 280 To praise my noble act; I hear him mock The luck of...Husband, I come: Now to that name my courage prove my tide! I am fire and air; my other elements I give to baser life. So, have you done? Come then and take...
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Broken Nuptials in Shakespeare's Plays

Carol Thomas Neely - Drama - 1985 - 261 pages
"No Shakespearean, feminist or not, should fail to read this book, the boldest, most tough-minded and meticulous feminist interpretation of the plays that has been written thus ...
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A Buddhist's Shakespeare: Affirming Self-deconstructions

James Howe - Literary Criticism - 1994 - 273 pages
...high Roman fashion, / And make death proud to take us" (4. 15.87-88). Her dying speech is similar: Methinks I hear Antony call; I see him rouse himself...men To excuse their after wrath. Husband, I come! (5.2.283-87) She recreates herself. If earlier she has been caught in a circle, whirling around an...
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Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642

Laura Levine - Drama - 1994 - 185 pages
...crown" [V.ii. 280]) calls attention to it as a performance.22 Cleopatra thinks of it as a "noble act" ("Methinks I hear / Antony call: I see him rouse himself / To praise my noble act" [V.ii. 282-4]), just as Dolabella thinks of it as a dread performance ("thyself art coming," he tells...
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Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...

Victor L. Cahn - Drama - 1996 - 865 pages
When Victor Cahn's Shakespeare the Playwright was issued in 1991, it was "highly recommended for any general public library and for academic collections at all undergraduate ...
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Poetic Designs: An Introduction to Meters, Verse Forms, and Figures of Speech

Stephen Adams - Poetry - 1997 - 256 pages
...have Immortal longings in me. Now no more The juice of Egypt's grape shall moist this lip. Yare, yare, good Iras; quick. Methinks I hear Antony call. I see...come: Now to that name my courage prove my title. It remained for Milton to apply these lessons to non-dramatic verse, developing in Paradise Lost a...
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