Music in the Holocaust: Confronting Life in the Nazi Ghettos and Camps

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Clarendon Press, Mar 17, 2005 - History - 243 pages
In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.
 

Contents

Redeeming MusicSpiritual Resistance and Beyond
1
Music in the Warsaw Ghetto
21
Politicians and Partisans
55
Life in Sachsenhausen
99
Music in Auschwitz
144
Epilogue
196
Repertoire Listings
202
Glossary
216
Bibliography
217
Index
229
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About the author (2005)

Shirli Gilbert is at Assistant Professor of History at the University of Michigan.

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