The Artist in the Machine: The World of AI-Powered Creativity

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MIT Press, Nov 10, 2020 - Computers - 432 pages
An authority on creativity introduces us to AI-powered computers that are creating art, literature, and music that may well surpass the creations of humans.

Today's computers are composing music that sounds “more Bach than Bach,” turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative—or are they merely tools to be used by musicians, artists, and writers? In this book, Arthur I. Miller takes us on a tour of creativity in the age of machines. 

Miller, an authority on creativity, identifies the key factors essential to the creative process, from “the need for introspection” to “the ability to discover the key problem.” He talks to people on the cutting edge of artificial intelligence, encountering computers that mimic the brain and machines that have defeated champions in chess, Jeopardy!, and Go. In the central part of the book, Miller explores the riches of computer-created art, introducing us to artists and computer scientists who have, among much else, unleashed an artificial neural network to create a nightmarish, multi-eyed dog-cat; taught AI to imagine; developed a robot that paints; created algorithms for poetry; and produced the world's first computer-composed musical, Beyond the Fence, staged by Android Lloyd Webber and friends.

But, Miller writes, in order to be truly creative, machines will need to step into the world. He probes the nature of consciousness and speaks to researchers trying to develop emotions and consciousness in computers. Miller argues that computers can already be as creative as humans—and someday will surpass us. But this is not a dystopian account; Miller celebrates the creative possibilities of artificial intelligence in art, music, and literature.

 

Contents

Seven Hallmarks of Creativity and Two Marks of Genius
9
Margaret Bodens Three Types of Creativity
25
The Importance of Taking Time off
31
The Birth of Artificial Intelligence
37
How Alexander Mordvintsev Excavated
59
Blaise Agüera y Arcas Brings Together Artists
71
What Came after DeepDream?
77
Theresa ReimannDubberss AI Looks at the Messiah
94
Eduardo Miranda and His Improvising Slime Mold
183
The Pinocchio Effect
191
Al and Poetry
201
Nick Montfort Makes Poetry with Pi
211
Allison Parrish Sends Probes into Semantic Space
217
Ross Goodwin and the First AlScripted Movie
225
Beyond
253
A Glimpse of the Future?
263

JunYan Zhus CycleGAN Turns Horses into Zebras
107
Ahmed Elgammals Creative Adversarial Networks
113
GANS Enter the Art Market
119
Al Creates Its Own Music
137
Adventures
145
Gil Weinberg and Mason Bretan and Their Robot
155
David Cope Makes Music That Is More Bach than Bach
163
The Drunken Pint and Other Folk Music Composed by
169
Rebecca Fiebrink Uses Movement to Generate Sound
175
What Drives Creativity?
271
Computers with Feelings
281
The Question of Consciousness
289
Two Dissenting Voices
301
Can We Apply the Hallmarks of Creativity to Computers?
307
Acknowledgments
315
Bibliography
347
Index
369
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About the author (2020)

Arthur I. Miller is Emeritus Professor of History and Philosophy of Science at University College London. He is the author of Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art and other books including Einstein, Picasso: Space, Time, and the Beauty That Causes Havoc.

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