Vision Anew: The Lens and Screen ArtsAdam Bell, Charles H. Traub The ubiquity of digital images has profoundly changed the responsibilities and capabilities of anyone and everyone who uses them. Thanks to a range of innovations, from the convergence of moving and still image in the latest DSLR cameras to the growing potential of interactive and online photographic work, the lens and screen have emerged as central tools for many artists. Vision Anew brings together a diverse selection of texts by practitioners, critics, and scholars to explore the evolving nature of the lens-based arts. Presenting essays on photography and the moving image alongside engaging interviews with artists and filmmakers, Vision Anew offers an inspired assessment of the mediumÕs ongoing importance in the digital era. Contributors include Ai Weiwei, Gerry Badger, David Campany, Lev Manovich, Christian Marclay, L‡szl— Moholy-Nagy, Walter Murch, Trevor Paglen, Pipilotti Rist, Shelly Silver, Rebecca Solnit, and Alec Soth, among others. This vital collection is essential reading for artists, educators, scholars, critics, and curators, and anyone who is passionate about the lens-based arts. |
Contents
Photography is 1961 | 8 |
Photographs about Photographs 2010 | 23 |
stillness depth and Movement reconnected 2012 | 36 |
A little History of Photography Criticism or why do Photography | 48 |
why we need to talk about | 64 |
excerpt from Vision in Motion 1947 | 70 |
the Annihilation of time and space 2004 | 89 |
on editing and structure 2002 | 104 |
reconquering space and the screen 2005 | 166 |
its about time 2013 | 179 |
Photography and the future 2010 | 192 |
the world is our studio 2011 | 207 |
sharing Makes the Picture 2012 | 231 |
Posits and Questions 2014 | 240 |
A Postphotographic Manifesto 2011 | 254 |
feedback Manifesto 2010 | 262 |
flatnessdepth stillMoving PhotographyCinema 2012 | 114 |
Hd Vision 2012 | 129 |
Cinema and the impression | 136 |
seeing around the edge of the frame 2001 | 152 |
notes | 269 |
| 285 | |
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