The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars
Nadia Boulanger - composer, critic, impresario, and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and show how her ideas relate to broader currents in French aesthetics and culture.
What people are saying - Write a review
We haven't found any reviews in the usual places.
aesthetic Alfred Cortot American annotated approach architectural artistic audiences Bach Bach’s Bergson Boulanger’s Boulanger’s performances Brahms broadcast c’est cantata Centre Nadia century Charles Koechlin CNLB collection composer composer’s composition Concerts Colonne Conservatoire contemporary Cortot Curzon d’une discs Doda Conrad Dumbarton Oaks Dumbarton Oaks Concerto Dushkin early music Ecole Normale edited ensemble example F-Pn NLa F-Pn Res F—Pn ﬁgure ﬁnal ﬁrst France French Gabriel Fauré Igor Stravinsky included inﬂuential Interallié J. S. Bach January Jean Francaix lectures Lili Boulanger Lili’s listeners Marcelle de Manziarly masterwork Mildred Bliss modern Monde musical Monteverdi Mozart museum music history musicale musicians musique n’est n’y-ray Nadia Boulanger Nadia et Lili neoclassicism November oeuvres orchestral organ Paris Parisian Petit Concert piano pieces Poulenc premiere Princesse de Polignac Pugno qu’il recording repertory Requiem Richard Taruskin Salle Gaveau salon score signiﬁcant Sonata structural Symphony tempo tonal tout University Press Valéry Valéry’s vocal