The Musical Work of Nadia Boulanger: Performing Past and Future Between the Wars

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Cambridge University Press, Apr 25, 2013 - Biography & Autobiography - 289 pages
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Nadia Boulanger - composer, critic, impresario, and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and show how her ideas relate to broader currents in French aesthetics and culture.
  

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Contents

Nadia Boulanger betWeen the Wars
19
Nadia Boulangers musical Work
47
Performing the Work
77
The problem of concerts
129
New links betWeen them
164
Tomb or treasure
195
The art of assembling art
217
Conclusion
251
Index
280
Copyright

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About the author (2013)

Jeanice Brooks is Professor of Music at the University of Southampton. She has published extensively on French music and culture of the Renaissance and on domestic music-making in Britain around 1800, as well as on French musical culture between the wars. Her book on the strophic air de cour and court culture, Courtly Song in Late Sixteenth-Century France (2000) received the 2001 Roland H. Bainton prize for the best book of the year in music or art history.

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