Criminal Law and the Modernist Novel: Experience on Trial

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Cambridge University Press, Jul 8, 2013 - Literary Criticism - 212 pages
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The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, "fallen in value." The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience - one that nullifies identity, subverts repetition, and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier, and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.
  

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Contents

Mysteries and Muddles in A Passage to India
51
Foe Good Soldier and the Good Reader
83
The Repeated Appeal of Proust and Dreyfus
110
Notes
163

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About the author (2013)

Rex Ferguson is a lecturer in English literature at the University of Birmingham.

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