Visual currencies: reflections on native photography
National Museums Scotland, Feb 25, 2009 - Photography - 128 pages
Based on eight papers given at the Native American Art Studies Association in Phoenix in 2005 features previously unseen archival photographs and art photographs by indigenous photographers.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Finding Sovereignty through Relocation
A ManySplendoured Thing
5 other sections not shown
Alaska album American Indian Anthropology argues artwork Askren B.A. Haldane Tsimshian Batchen Ben Sherman British Columbia British Museum camera chapter Chief Pontiac Clan collection contemporary Native photography context created Curtis digital images discourse Dragonfly Duncan electronic media ethnographic exhibitions Favell's fieldwork images Figure film galleries Garfield graphs Henrietta Lidchi Hulleah identity Indigenous artists institutional interpretation Isaac Janice Hart jewellery Kuhn Larry McNeil Tlingit/Nisga'a liminal Lippard London lone ranger material memory Metis Metlakatla narrative National Museums Scotland Native American Native art Native artists Native cultures Native photography Navajo Nisga'a NMAI North American objects Oxford photographs Pistilli Conrad Pontiac portrait potlatch Raven relationship representation role Routledge September 2009 slides social space Standing Bear studio taken tion Tlingit Tonto Tourism traditional tribal Tsimshian Tsinhnahjinnie Tsinhnahjinnie Seminole/Muscogee/Dine two-spirit University Press viewer Viola Garfield Visual Anthropology Visual Currencies visual sovereignty Washington We'wha whilst York