Giorgio Vasari: Art and History

Front Cover
Yale University Press, Jan 1, 1995 - Art - 448 pages
Vasari's Lives of the Painters, Sculptors, and Architects are and always have been central texts for the study of the Italian Renaissance. They can and should be read in many ways. Since their publication in the mid-sixteenth century, they have been a source of both information and pleasure. Their immediacy after more than four hundred years is a measure of Vasari's success. He wished the artists of his day, himself included, to be famous. He made the association of artistry and genius, of renaissance and the arts so familiar that they now seem inevitable. In this book Patricia Rubin argues that both the inevitability and the immediacy should be questioned. To read Vasari without historical perspective results in a limited and distorted view of The Lives. Rubin shows that Vasari had distinct ideas about the nature of his task as a biographer, about the importance of interpretation, judgment, and example - about the historian's art. Vasari's principles and practices as a writer are examined here, as are their sources in Vasari's experiences as an artist.
 

Contents

Biographical Outline
9
Giorgio Vasari of Arezzo
61
Research and Publication
106
Vasari and the Writers of Histories
148
Changing History
187
Writing about the Arts
231
The First Light
287
Donatello and the Artists of the Second Age
321
Raphael the New Apelles
357
A Letter to his Readers
403
Bibliography
413
Index
437
Photograph Credits 449
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