BooksSitemapMusicInstruction & StudyTheory
120 Músicas Favoritas Para Piano - Vol. 3 by MARIO MASCARENHAS - 292 pages
1929-1979 by Charles Seeger, Ann Marie Pescatello - 1994 - 438 pages
2 Instrumentalfantasien "O Welt, ich muss dich lassen" (Innsbruck, ich muss dich lassen) by Christian Hollander, Konrad Ruhland, Paul Luetkeman - 2004 - 13 pages
20th-century microtonal notation by Gardner Read - 1990 - 198 pages
21 + 26 by Alfredo Casella - 2001 - 142 pages
2nd MNMA conference proceedings, 1991 by Music Notation Modernization Association. International Conference, Thomas S. Reed, Music Notation Modernization Association - 1994 - 180 pages
3rd MNMA conference proceedings, 1994 by Music Notation Modernization Association. International Conference, Thomas S. Reed - 1999 - 220 pages
50 Jahrgänge Archiv für Musikwissenschaft - 1994 - 140 pages
6 instrumental motets from the Bamberg codex by Staatsbibliothek Bamberg - 1990 - 8 pages
A "arte explicada de contraponto" de André da Silva Gomes by André da Silva Gomes, Régis Duprat - 1998 - 192 pages
A Arte de Ouvir - Vol. 1 by ADAMO PRINCE - 56 pages
A bibliography of the history of music theory by David Russell Williams - 1972 - 58 pages
A bibliography of the history of music theory by David Russell Williams - 1970 - 53 pages
A bibliography of theoretical works on music published 1750-1800 by Birgitte Plesner Moyer - 1962
A Brief Introduction To The Skill Of Song by William Bathe, Kevin C. Karnes - 2005 - 137 pages
A briefe and short instruction of the art of musick, to teach how to make discant, of all proportions that are in use by Elway Bevin - 1631 - 52 pages
A briefe discourse (1614) by Thomas Ravenscroft, John Bennet, Edward Pearce - 1984 - 62 pages
A Briefe Introduction to the Skill of Song, C. 1587 by William Bathe, Bernarr Rainbow - 1982 - 18 pages
A Chord in Time by Mark R. Ellis - 2010 - 249 pages
A classic turn of phrase by Robert O. Gjerdingen - 1988 - 299 pages
A commentary upon the art of proper singing by Bénigne de Bacilly - 1968 - 224 pages
A Compendium of Essays by E. A. Bucchianeri - 2002 - 200 pages
A Compendium of Essays by E. A. Bucchianeri - 2002 - 200 pages
A Compendium of Musical Practice: Musice Active Micrologus by Andreas Ornithoparchus, John Dowland, Gustave Reese, Steven Ledbetter - 1973 - 212 pages
A composer's world, horizons and limitations by Paul Hindemith - 1953 - 221 pages
A composition as a problem IV by Eesti Muusikaakadeemia - 2004 - 156 pages
A compositional approach to music theory by Ronald Scott Coulter - 1975 - 794 pages
A computer-aided inquiry on music communication by Mario Baroni, Rossana Dalmonte, Carlo Jacoboni - 2003 - 549 pages
A concentrated course in traditional harmony by Paul Hindemith - 1953 - 125 pages
A concentrated course in traditional harmony by Paul Hindemith - 1953
A concentrated course in traditional harmony by Paul Hindemith - 1953
A concentrated course in traditional harmony by Paul Hindemith - 1953 - 125 pages
A concentrated course in traditional harmony by Paul Hindemith - 1953 - 125 pages
A concentrated course in traditional harmony by Paul Hindemith
A concentrated course in traditional harmony, with emphasis on exercises and a minimum of rules by Paul Hindemith - 1943 - 125 pages
A counterpoint manual by Ernest Kanitz - 1948 - 65 pages
A course in harmony by John Winter Thompson - 1923 - 112 pages
A course of harmony by Sir Frederick Bridge, Frank Joseph Sawyer - 1899 - 209 pages
A creative approach to music fundamentals by William Duckworth - 2004 - 370 pages
A Creative Approach to Music Fundamentals [With Access Code] by William Duckworth - 2012 - 385 pages
A Creative Approach to Music Fundamentals [With Chord Chart] by William Duckworth - 2008 - 296 pages
A critique of musicology by John A. Kimmey - 1984 - 588 pages
A Dance of Polar Opposites by George Rochberg, Jeremy Gill - 2012 - 175 pages
A deep parallel between music and language by Ray Jackendoff, Fred Lerdahl - 1980 - 50 pages
A factor analytic description of tonal and rhythm patterns and objective evidence of pattern difficulty level and growth rate by Edwin Gordon - 1978 - 198 pages
A first harmony book by Reginald Hunt - 1962 - 190 pages
A Florentine sacred repertory from the Medici restoration by Anthony M. Cummings - 1980 - 1010 pages
A French music aesthetic of the eighteenth century by Michel Paul Gui de Chabanon, Harry Robert Lyall - 1975 - 772 pages
A general mathematical theory of expectation models of music by Jeff Alan Goldstone - 1979 - 732 pages
A generalized model of voice-leading for atonal music by Henry James Klumpenhouwer - 1991
A Glimmer of Light from the Eye of a Giant by Joseph Turbeville - 2000 - 94 pages
A guide to musical analysis by Nicholas Cook - 1987 - 376 pages
A guide to Schenkerian analysis by David Neumeyer, Susan Tepping - 1992 - 151 pages
A handbook of modal counterpoint by Stella Roberts, Irwin Fischer - 1967 - 120 pages
A handbook of musical style by Horace Fishback - 1966 - 120 pages
A handbook of style in music by George Sherman Dickinson - 1965 - 159 pages
A hierarchic interpretation of the theories and music of Jean-Philippe Rameau by E. Cynthia Verba - 1979 - 710 pages
A history of harmonic theory in the United States by David M. Thompson - 1980 - 207 pages
A history of harmonic theory in the United States by David M. Thompson - 1980 - 207 pages
A History of Key Characteristics in the 18th and Early 19th Centuries by Rita Steblin - 2002 - 408 pages
A history of key characteristics in the eighteenth and early nineteenth centuries by Rita Steblin - 1983 - 396 pages
A history of music and musical style by Homer Ulrich, Paul Amadeus Pisk - 1963 - 696 pages
A History of Musical Style by Richard L. Crocker - 1966 - 573 pages
A history of musical style by Richard L. Crocker - 1966 - 573 pages
A history of musical style by Richard L. Crocker - 1966 - 573 pages
A history of musical style by Richard L. Crocker - 1966 - 573 pages
A History of Performing Pitch by Bruce Haynes - 2002 - 568 pages
A history of theories of functional harmonic progression by John William Mitchell - 1963 - 578 pages
A history of theories of functional harmonic progression by John William Mitchell - 1963 - 578 pages
A history of Western musical aesthetics by Edward A. Lippman - 1992 - 551 pages
A key to Chadwick's Harmony by George Whitefield Chadwick - 1902 - 103 pages
A key to the exercises in ... A treatise on harmony by Joseph Humfrey Anger - 1913
A Language of Its Own by Ruth Katz - 2010 - 352 pages
A magyar beszéd dallama by Iván Fónagy, Klára Magdics - 1967 - 317 pages
A manual of counterpoint based on sixteenth-century practice by David Dodge Boyden - 1964 - 93 pages
A manual of elementary harmony by Salomon Jadassohn - 24 pages
A Manual of Harmony by Salomon Jadassohn - 2009 - 300 pages
A Manual of Harmony by Salomon Jadassohn - 2009 - 300 pages
A manual of harmony by Hermann Spielter - 1920 - 65 pages
A manual of harmony for schools by Francis Edward Gladstone - 1908 - 181 pages
A manual of music by Ralph Dunstan - 303 pages
A manual of single, double, triple and quadruple counterpoint by Salomon Jadassohn - 1930 - 137 pages
A Manual on the Rudiments of Tuning and Registration: Introduction and human singing voice by Schiller Institute (Washington, D.C.) - 1992 - 240 pages
A Manual on the Rudiments of Tuning and Registration: Introduction and human singing voice by Schiller Institute (Washington, D.C.) - 1992 - 240 pages
A method of teaching harmony, based upon systematic eartraining by Frederick George Shinn
A music notation primer by Glen R. Rosecrans - 1977 - 47 pages
A musical grammar by John Wall Callcott - 1800 - 180 pages
A musical grammar in four parts by John Wall Callcott - 1833 - 267 pages
A musical grammar, in four parts by William Hutchins Callcott - 1817
A Musical View of the Universe by Ellen B. Basso - 1985 - 343 pages
A Musical View of the Universe by Ellen B. Basso - 1985 - 343 pages
A musical view of the universe by Ellen B. Basso - 1985 - 343 pages
A musician's alphabet by Susan Tomes - 2006 - 149 pages
A new approach to similarity relations in set-theory analysis by Alexis Turkalo - 1980
A new edition (being the second,) of an Introduction to harmony by William Shield - 1817 - 125 pages
A new look at 16th-century counterpoint by Margarita Merriman - 1982 - 220 pages
A new musical grammar by James Alexander Hamilton - 1849 - 298 pages
A notation for today by Aldeen Cox Trexler, University of Michigan. School of Music - 1940 - 118 pages
A performer's guide to Baroque music by Robert Donington - 1974 - 320 pages
A performer's guide to Baroque music by Robert Donington - 1974 - 320 pages
A performer's guide to seventeenth-century music by Stewart Carter - 1997 - 432 pages
A Performer愀 Guide to Medieval Music by Ross W. Duffin - 2000 - 599 pages
A PL/1 program for the harmonic analysis of music by the theories of Paul Hindemith and Howard Hanson by Charles J Moomaw - 1973
A plain and easy introduction to practical music by Thomas Morley - 1966 - 326 pages
A plaine and easie introduction to practicall musicke by Thomas Morley - 1971 - 183 pages
A plaine and easie introduction to practicall musicke by Thomas Morley - 1969 - 183 pages
A Player's Guide to Chords & Harmony by Jim Aikin - 2004 - 196 pages
A practical analysis of the elementary principles of harmony by Mrs. Joseph Kirkman - 1845 - 44 pages
A practical guide to modulation by Edrich Siebert - 1976 - 24 pages
A practical guide to the theory of music by Julia A. O'Neill - 96 pages
A primer of modern musical tonality, intended for self-study, as an introduction to the study of harmony by John Henry Cornell - 1876 - 100 pages
A programed introduction to the fundamentals of music by Theodore H. A. Ashford - 1969
A programmed introduction to the fundamentals of music by Theodore Ashford, Theodore H. A. Ashford - 1980 - 360 pages
A rudimentary and practical treatise on music by Charles Child Spencer - 1881
A rudimentary and practical treatise on music by Charles Child Spencer - 1875
A rudimentary and practical treatise on music by Charles Child Spencer - 1854
A scientific approach to band intonation by James Smith Ferguson - 1964 - 172 pages
A second harmony book by Reginald Hunt - 1966 - 270 pages
A second look at harmony by Tibor Serly - 1964 - 175 pages
A sensory-motor approach to music learning by Madeleine Carabo-Cone - 1971
A set of computer programs to aid in music analysis by Dorothy Susan Gross - 1975 - 716 pages
A set of microcomputer programs to aid in the analysis of atonal music by Roberta Cram Russell - 1983 - 314 pages
A short history of harmony by Charles Macpherson, Jules Combarieu - 478 pages
A short history of Japanese Nagauta music by William P. Malm - 1960 - 132 pages
A simple method of modern harmony by Carl William Grimm - 1900 - 170 pages
A Singing Ambivalence by Victor R. Greene - 2004 - 215 pages
A structural and stylistic study and performance of selected twentieth-century English works for clarinet and piano by Peter Alexander - 1982 - 117 pages
A study in the relationship between modal and tonal theory by Esther Cynthia Verba - 1967 - 128 pages
A study of jazz by Paul Tanner, Maurice Gerow - 1981 - 226 pages
A study of jazz by Paul Tanner, Maurice Gerow - 1977 - 211 pages
A study of sixteenth century counterpoint by Quincy Porter, Orlando di Lasso - 1940 - 40 pages
A study of textural stratification in twentieth-century compositions by Katherine Russell Covington - 1982 - 294 pages
A study of the provenance and French motets in Bamberg, Staatsbibliothek, Lit. 115 by Patricia Lynn Patterson Norwood - 1979 - 812 pages
A study of the transcendental aesthetic theories of John S. Dwight and Charles E. Ives and the relationship of these theories to their respective work as music critic and composer by William Anson Call - 1971 - 446 pages
A study of the validity and reliability of certain electronic measurements of pitch and frequency discrimination by Roderick D. Gordon - 1953 - 198 pages
A study of twentieth-century harmony by René Lenormand - 1957 - 142 pages
A study of twentieth-century harmony by René Lenormand - 1940 - 142 pages
A study outline and workbook in the elements of music by Frank W. Hill, Roland Searight - 1966 - 109 pages
A stylistic analysis of selected twelve-tone works by Glen Hibbard Gould - 1964 - 516 pages
A system of harmony by Hugh Archibald Clarke - 1901 - 152 pages
A technique for identifying textual errors and its application to the sources of music by Thomas Tallis by Penelope Rapson - 1989 - 832 pages
A theory for all music by Jay Rahn - 1983 - 267 pages
A theory of axis-tonality for twentieth-century music by Richard A. Chrisman - 1969 - 280 pages
A theory of circle of fifths progressions and their application in the four ballades by Frederic Chopin by Marilyn Nadine Saker - 1992 - 742 pages
A theory of evolving tonality by Joseph Yasser - 1932 - 381 pages
A theory of harmonic structures for non-tonal music by Alan Chapman - 1978 - 716 pages
A Theory of Music Analysis by Dora A. Hanninen - 2012 - 542 pages
A theory of pitch and register for the music of Edgard Varèse by Jonathan W. Bernard - 1977 - 890 pages
A third book on the theory of music by Louisa Gibson - 79 pages
A translation of Syntagma musicum III by Michael Praetorius, Hans Lampl - 1957 - 458 pages
A translation of Syntagma musicum III by Michael Praetorius - 1957 - 458 pages
A translation of three treatises by Martin Agricola--Musica choralis deudsch, Musica figuralis deudsch, and Von den proporcionibus by Martin Agricola - 1979 - 758 pages
A treatise of musick, speculative, practical, and historical by Alexander Malcolm - 1721 - 608 pages
A treatise of the natural grounds and principles of harmony by William Holder - 1967 - 204 pages
A treatise of the natural grounds, and principles of harmony by William Holder, Gottfried Keller - 1731 - 200 pages
A treatise on counterpoint & fugue by Luigi Cherubini, Joseph Bennett - 1884 - 128 pages
A treatise on counterpoint, canon and fugue by Sir Frederick Arthur Gore Ouseley - 1880 - 391 pages
A treatise on counterpoint, canon and fugue by Sir Frederick Arthur Gore Ouseley - 1880 - 391 pages
A Treatise on Harmony by Frederick Arthur Gore Ouseley - 2011 - 298 pages
A treatise on harmony by John Christopher Pepusch - 1976 - 227 pages
A Treatise on Harmony by John C. Pepusch - 1731 - 227 pages
A treatise on the art of music by William Jones - 1784 - 61 pages
A vast simplicity by Stephen P. Slottow - 2001 - 798 pages
Abhandlung über die Musik by Mathias Bielitz, Yaḥyá ibn ʻAlī Ibn al-Munajjim, J. Hans D. Jensen - 1999 - 345 pages
Abreviatio magistri Franconis by Johannes (dictus Balloce.), Bibliothèque de Saint-Dié, Österreichische Nationalbibliothek - 1987 - 75 pages
Abriss der frankonischen Mensuralnotation by Friedrich Gennrich - 1956 - 35 pages
Absolute Music and the Construction of Meaning by Daniel K. L. Chua - 1999 - 314 pages
Abstract Musical Intervals by Ming Tsao - 2007 - 162 pages
Abstracts of papers presented at the annual meetings, 1977-1979 by American Musicological Society. South-Central Chapter, Almonte Howell - 1979 - 47 pages
Abstracts of papers read at the thirty-eighth annual meeting of the American Musicological Society by American Musicological Society. Meeting, American Musicological Society - 1972 - 43 pages
Abstracts of papers read at the thirty-seventh annual meeting of the American Musicological Society by American Musicological Society - 1971 - 56 pages
Access All Areas by Trev Wilkins - 2007 - 291 pages
Accompaniment to Analytical anthology of music by Ralph Turek - 1984 - 275 pages
Accuracy in absolute pitch by Lawrence Martin Brammer - 1948 - 84 pages
Acoustic valuation on intervals by aid of the stable tone-system by Thorvald Kornerup - 1938 - 24 pages
Actors and singers by Richard Wagner - 1995 - 383 pages
Acustica accordatura e temperamento nell'illuminismo veneto by Patrizio Barbieri, Alessandro Barca, Giordano Riccati (conte) - 1987 - 647 pages
Ad organum faciendum & Item de organo - 1969 - 67 pages
Adam von Fulda on musica plana and compositio by Peter John Slemon, Adam (von Fulda) - 1994 - 482 pages
Additional exercises to Elementary harmony by Charles Herbert Kitson - 1926 - 47 pages
Adorno and Critical Theory by Hauke Brunkhorst - 1999 - 194 pages
Adorno, modernism and mass culture by Max Paddison - 1996 - 149 pages
Adorno, modernism and mass culture by Max Paddison - 1996 - 149 pages
Adrian Le Roy, Traicte de Musique by Adrian Le Roy, Máire Egan-Buffet - 1996 - 102 pages
Adrian Willaert and the Theory of Interval Affect by Timothy R. McKinney - 2010 - 318 pages
Adriano Banchieri's Cartella musicale (1614) by Clifford Alan Cranna, Adriano Banchieri - 1981 - 1054 pages
Advanced harmony by Robert W. Ottman - 1992 - 467 pages
Advanced harmony by Robert W. Ottman - 1972 - 267 pages
Advanced Schenkerian Analysis by David Beach - 2012 - 336 pages
Advanced Schenkerian Analysis by David Beach - 2012 - 310 pages
Aegidius Tschudi's songbook (St. Gall MS 463) by Donald Glenn Loach - 1969
Aegidius Tschudi's songbook (St. Gall MS 463) by Donald Loach - 1969
Aesthetics and Experience in Music Performance by Elizabeth MacKinlay, Denis Collins, Samantha Owens - 2005 - 348 pages
Aesthetics and music by Andy Hamilton - 2007 - 246 pages
Aesthetics and Music in the Eighteenth Century: A musical dictionary by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson - 2003
Aesthetics and Music in the Eighteenth Century: A treatise of the natural grounds and principles of harmony by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson - 2003 - 1473 pages
Aesthetics and Music in the Eighteenth Century: An essay on musical expression by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson - 2003 - 1473 pages
Aesthetics and Music in the Eighteenth Century: An essay on the opera by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson
Aesthetics and Music in the Eighteenth Century: Observations on the present state of music and musicians by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson
Aesthetics and Music in the Eighteenth Century: Principles and power of harmony by William Holder, Sébastien de Brossard, Charles Avison, John Potter, Francesco Algarotti (conte), Anselm Bayly, Benjamin Stillingfleet, William Jackson
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