1Q84: Books 1 and 2

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Random House, Oct 18, 2011 - Fiction - 816 pages
4 Reviews

Haruki Murakami is an international phenomenon. When Books One and Two of his latest masterpiece, 1Q84, were published in Japan, a million copies were sold in one month, and the critical acclaim that ensued was reported all over the globe. Readers were transfixed by the mesmerising story of Aomame and Tengo and the strange parallel universe they inhabit. Then, one year later, to the surprise and delight of his readers, Murakami published an unexpected Book Three, bringing the story to a close.

In order to reflect the experience of 1Q84's first readers, Harvill Secker is publishing Books One and Two in one beautifully designed volume and Book Three in a separate edition. A long-awaited treat for his fans, 1Q84 is also a thrilling introduction to the unique world of Murakami's imagination. This hypnotically addictive novel is a work of startling originality and, as the title suggests, a mind-bending ode to George Orwell's Nineteen Eighty-Four. (The number 9 in Japanese is pronounced like the letter 'Q').

The year is 1984. Aomame sits in a taxi on the expressway in Tokyo.

Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult.

Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true?

Both Aomame and Tengo notice that the world has grown strange; both realise that they are indispensable to each other. While their stories influence one another, at times by accident and at times intentionally, the two come closer and closer to intertwining.

** Murakami’s new novel is coming **


'The reason why death had such a hold on Tsukuru Tazaki was clear. One day his four closest friends, the friends he’d known for a long time, announced that they did not want to see him, or talk with him, ever again'

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About the author (2011)

In 1978, Haruki Murakami was 29 and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers’ award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, which turned Murakami from a writer into a phenomenon. His books became bestsellers, were translated into many languages, including English, and the door was thrown wide open to Murakami’s unique and addictive fictional universe.

Murakami writes with admirable discipline, producing ten pages a day, after which he runs ten kilometres (he began long-distance running in 1982 and has participated in numerous marathons and races), works on translations, and then reads, listens to records and cooks. His passions colour his non-fiction output, from What I Talk About When I Talk About Running to Absolutely On Music, and they also seep into his novels and short stories, providing quotidian moments in his otherwise freewheeling flights of imaginative inquiry. In works such as The Wind-Up Bird Chronicle, 1Q84 and Men Without Women, his distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring Murakami’s place as one of the world’s most acclaimed and well-loved writers.

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