60 Handel overtures arranged for solo keyboard, Volume 3

Front Cover
Courier Corporation, 1755 - Music - 254 pages
0 Reviews

The dramatic overture had its beginnings in Renaissance court entertainments, which often began with a flourish of trumpets. It reached a high point of inspiration in the overtures that George Frideric Handel (1685 1759) composed for his operas and oratorios. This volume presents 60 Handel overtures and sinfonias, originally scored for orchestra, superbly arranged for solo keyboard. They have been reprinted from an extremely rare edition originally printed, probably in the 1750s, by Handel's London publisher, John Walsh.
Happily, these brilliant works have lost nothing in translation of their Handelian vitality and interest. Many of them, such as the overtures to "Messiah, Acis and Galatea, Alexander s Feast, Julius Caesar, "the second overture in "Solomon" (known as the "Arrival of the Queen of Sheba"), and the so-called Water Musick, are very familiar to music lovers. Some will be fresh discoveries for keyboard players.
Together they demonstrate Handel s exciting theatrical sense, his technical virtuosity in composition, and his dazzling mastery of musical forms, which he often combined into his own unique creations. This edition preserves the original keyboard notation, amazingly precise in its elegant execution and, of course, entirely legible to present-day performers."


What people are saying - Write a review

We haven't found any reviews in the usual places.

Other editions - View all

About the author (1755)

George Frideric Handel was born in Halle, Germany on February 23, 1685. As a youth, he became an accomplished harpsichordist and organist, studied violin and oboe, and mastered composing for the organ, the oboe, and the violin by the time he was 10 years old. In 1704, he made his debut as an opera composer with Almira. During his stay in Italy from 1706 to 1710, he composed several operas including Rodrigo and Agrippina and several dramatic chamber works, which helped establish his early success. In London, Handel composed Rinaldo, which was released during the 1710-1711 London opera season and became his breakthrough work. After Handel released Rinaldo, he spent the next few years writing and performing for English royalty, including Queen Anne and King George I. In 1719, he accepted the position of Master of the Orchestra at the Royal Academy of Music, the first Italian opera company in London. He became a naturalized British citizen in 1726. He eventually formed his own company, calling it the New Royal Academy of Music in 1727. When Italian opera fell out of style in London, he started creating oratorios Handel's musical output was prodigious. He wrote 46 operas including Julius Caesar and Berenice; 33 oratorios including The Messiah; 100 Italian solo cantatas; and numerous orchestral works. In 1751 Handel suffered a sight impairment that led to total blindness by 1753. Nonetheless, he continued to conduct performances of his works. He died April 14, 1759 at the age of 74.

Bibliographic information