Marimba: 7 Bach Chorales: for mixed ensembles
A longtime Bach enthusiast, Vida Chenoweth is noted for her adherence to the composer's linear score. These seven chorales are geared to advanced marimbists who wish to stretch both their technique and their musical experience. Chenoweth is credited with introducing the marimba to concert audiences worldwide.
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1993 BELWIN MILLS 33014 International Copyright alto and soprano bass and tenor bass line bass mallet beat begin the roll Beloved Jesus c/o CPP/BELWIN Catherine Winkworth composed CRY TO THEE Dearest Lord Jesus DEPTHS I CRY dost Thou tarry dynamic eighth-note end note end of measure ethnomusicology final chord final phrase FL 33014 International four mallets Grace-notes GUIDE THEE harmonization HAST THOU BROKEN i i i International Copyright Secured J.S. Bach JOY OF MAN'S LAW HAST THOU legato marimba to concert marimbists melody musical experience musical interpretation musicianship Neumark Oh why dost Oklahoma outer mallet paired notes percussion perform this chorale played player polyphonic sixteenth-notes Slurs soft soprano and alto soprano voice strikes the chord striving succession of paired tenor line tenor mallet THOU BUT SUFFER three long phrases Trie truth unknown U.S.A. All Rights unison Usarufa Vida Chenoweth wool yarn yarn mallet