A Due Voci: The Photography of Rita HammondRita Hammond, Julie Grossman, Ann M. Ryan, Kim Waale A famed ??? garde photographer daringly assesses her own place in art and photography. A photographer and art historian of provocative sensibilities. Rita Hammond completed A Due Voci immediately before her death in 1999. In this ground-breaking series of reflections on the history of art and photography. Hammond places herself squarely in the camera's eye and then completes the action by daringly entering the frame. Using inventive masks and costumes, the artist embarks upon a bold pictorial masquerade. In so doing she recasts celebrated works of art focusing specifically on those of symbolic force. She is the hauntingly voluptuous Marilyn Monroe. She is Nijinsky's fiery Petrouchka. She is the dream of Picasso's Harlequin, and the face staring back, shocked, in Escher's mirror. She is Anne Frank and silent screen vamp Louise Brooks. She is German expressionist Max Beckmann and, always, Rita Hammond. Hammond's fame in gender-bending reached its zenith with After Mapplethorpe, a sensational androgynous duo of Hammond-as-male-and-female photos inspired by Robert Mapplethorpe's work. In A Due Voci, Hammond boldly continues to dispute--and often dismantle--standard gender identity. It is a volume that will prove indispensable for students and professionals of visual culture and gender series. |
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Contents
Introduction | 3 |
After A Due Voci | 15 |
Kim Waale Christian A Peterson Michael Davis Phillip Novak | 21 |
Copyright | |
3 other sections not shown
Other editions - View all
A Due Voci: The Photography of Rita Hammond Rita Hammond,Ann M. Ryan,Kim Waale No preview available - 2003 |
Common terms and phrases
Andy Warhol Anne Frank Arnold art history artist audience Avedon's beautiful Beckmann become Bernstein body camera Carnival Cazenovia College Cezanne Chardin claim clown Collaboration with Lynn Copyright Countess de Castiglione cultural Deborah Bright Deburau Degas desire Due Voci essay explore female feminine Frank and Monroe Franz Kline gender Hammond ajter Hammond began Hammond Canonized Hammond's photograph Hammond's sense Harlequin Hippolyte Bayard Hoesterey Hollywood Howard Bernstein identity images imagined interest Johannes Vermeer Kim Waale laugh lives look Louise Brooks Lulu Lynn Moser male Marilyn Monroe mond Monroe's Moyne College Nadar Nijinsky object Oil on canvas old woman Oldoini original Ozick Pablo Picasso painting pastiche photograph was produced Picasso Pierrot play poet produced in collaboration Ray Beale response Rita Hammond Rita's Robert Mapplethorpe role romantic Self-Portrait sense of humor sexual space studio suggests Syracuse tion Toulouse-Lautrec triptych Vermeer viewer visual Warhol women Woolf York
Bibliographic information
| Title | A Due Voci: The Photography of Rita Hammond |
| Editors | Rita Hammond, Julie Grossman, Ann M. Ryan, Kim Waale |
| Edition | illustrated |
| Publisher | Syracuse University Press, 2003 |
| Original from | the University of Michigan |
| Digitized | Dec 17, 2007 |
| ISBN | 0815607512, 9780815607519 |
| Length | 143 pages |
| Subjects | › › Biography & Autobiography / Artists, Architects, Photographers Biography & Autobiography / Historical Biography & Autobiography / Women Photography / Individual Photographers / General |
| Export Citation | BiBTeX EndNote RefMan |