A Force for Change: African American Art and the Julius Rosenwald Fund

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Daniel Schulman, Montclair Art Museum
Northwestern University Press, Feb 5, 2009 - Art - 176 pages
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The Julius Rosenwald Fund has been largely ignored in the literature of both art history and African American studies, despite its unique focus, intensity, and commitment. Spertus Museum in Chicago has organized an exhibition, guest curated by Daniel Schulman, that presents and explores the work of funded artists as well as the history of the Fund. Through it, and this accompanying collection of essays, illustrations, and color plates, we see the Fund’s groundbreaking initiative to address issues relating to the unequal treatment of blacks in American life. The book constitutes a veritable Who’s Who of African American artists and intellectuals of the first half of the twentieth century, as well as a roll call of modern contributors who represent the leading scholars in their fields, including Peter M. Ascoli, grandson and biographer of Julius Rosenwald, and Kinshasha Holman Conwill, deputy director of the National Museum of African American Art and Culture. With far-reaching influence even today, the Julius Rosenwald Fund stands alongside the Rockefeller and Carnegie funds as a major force in American cultural history.

 

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Contents

in conjunction with
1856
Writers and the Julius Rosenwald Fund
1871
Color Plates
1892
Contributors
1941
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About the author (2009)

Daniel Schulman is the guest curator of the exhibition, A Force for Change, which begins its run at Spertus Museum in February 2009. He is an independent art historian who lives in Chicago.

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