A History of Canadian Literature
New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.
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A.M. Klein American anglophone Anne Hebert anthology appeared Atwood Audrey Thomas Author and Title became becomes British Columbia Canada Canadian literature century character colony comic contemporary conventional critical culture Date Author edited Emily empirical English essays established ethnic European example F.R. Scott Ferron fiction film francophone French Garneau George Hence immigration Indian Inuit Jacques John joual journal Jovette Marchessault land language later literary lives Livesay Margaret Margaret Atwood Margaret Laurence Marie-Claire Blais Michel Montreal moral myths narrative Native nature Nelligan Nicole Brossard norms North novel Ontario Pierre plays poems poet poetry political prairie prose published Quebec readers reality Richler Robert romance satiric Scott sexual short story sketches social society songs speech structure Susanna Moodie tale tells Theatre tion Title Event Toronto translated turned urban Vancouver voice West wilderness woman women writers wrote