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Bunnell Introduction page
P H Emerson Science and Art
Andrew Pringle The Naissance of Art in Photography
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aesthetic Alfred Stieglitz Alvin Langdon Coburn amateur artistic photography beautiful brush camera club color composition critic Cubism drawing Edward Steichen effect etching exhibition expression fact feeling figure Gallery Gertrude Kasebier give grapher graphic graphs gum bichromate gum print hand idea ideal imitation impression impressionism impressionist individual interest judge knowledge landscape lens less light and shade look matter means mechanical medium ment method mind modern nature negative never nude objects painter painting Paul Strand perfect Photo-Secession photogra photographic photographic lens pictorial photography pictorialists picture plate platinotype portrait pose possible produced pure photography rendering represent reproduction result retouching SADAKICHI HARTMANN Salon scene scientific shadows simple Steichen straight photography straight print taste technical thing tion to-day tographer tonal tone true truth ture vision vorticist workers writer