A Sentimental Journey Through France and Italy

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ReadHowYouWant.com, Oct 1, 2006 - Fiction - 276 pages
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A sentimental story based on a journey undertaken by Yorick as he, along with his servant, travels through France. Their experiences are narrated in a vivid manner. Autobiographical glimpses are tastefully blended with fictitious incidents in the book. Gripping!
 

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Contents

Preface In the Désobligeant
13
Calais The Remise Door
28
Calais In the Street
44
Montriul
59
The Bidet
76
Amiens The Letter
91
Paris The Pulse
104
Paris The Dwarf
121
Road to Versailles The Starling
154
Rennes The Sword
167
Versailles The Passport
180
The Conquest
197
Paris The Fragment
214
Paris The Fragment
217
Paris The Riddle Explained
231
Moulines Maria
246

Paris The Passport
140

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About the author (2006)

If Fielding showed that the novel (like the traditional epic or drama) could make the chaos of life coherent in art, Sterne only a few years later in The Life and Opinions of Tristram Shandy, Gentleman (1760--67) laughed away the notion of order. In Sterne's world, people are sealed off in their own minds so that only in unpredictable moments of spontaneous feeling are they aware of another human being. Reviewers attacked the obscenity of Tristram's imagined autobiography as it was published (two volumes each in 1759, early 1761, late 1761, 1765, and one in 1767), particularly when the author revealed himself as a clergyman, but the presses teemed with imitations of this great literary hit of the 1760s. Through the mind of the eccentric hero, Sterne subverted accepted ideas on conception, birth, childhood, education, and the contemplation of maturity and death, so that Tristram's concerns touched his contemporaries and are still important. Since Tristram Shandy is patently a great and lasting comic work that yet seems, as E. M. Forster said, "ruled by the Great God Muddle," much recent criticism has centered on the question of its unity or lack of it; and its manipulation of time and of mental processes has been considered particularly relevant to the problems of fiction in our day. Sterne's Sentimental Journey (1768) has been immensely admired by some critics for its superb tonal balance of irony and sentiment. His Sermons of Mr. Yorick (1760) catches the spirit of its time by dramatically preaching benevolence and sympathy as superior to doctrine. Whether as Tristram or as Yorick, Sterne is probably the most memorably personal voice in eighteenth-century fiction.

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