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Chief Problems of Harmonic Evolution
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appears appoggiaturas bars BARTÓK basic basis becomes bitonality centre century changing chief chord progressions chromatic chromatic alterations chromaticism classical tonality clear combination completely considered consonance device diatonic discords dissonance dominant early effect establish example fact fifths finally flat frequent function fundamental given gradually harmonic higher Hindemith horizontal important increases instance intervals keys kind later lead less lies lower major major-minor means melody minor modern composers modern music modes movement musicians nature ninth norm occurs octave opening organisation original passage passing perfect fifth perfect fourth period play possible present principle produce relations relationship represents resolution respectively result romantic root scale Schönberg seems seventh sharp simple simultaneous sound stand step STRAUSS style Symphony Take tension third tonic triad true twelve twelve-note music unessential notes various vertical whole whole-tone writing