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H THE WAGNERIAN SYNTHESIS
in LISZT AND THE VIRTUOSO
15 other sections not shown
abstract achieved appeared artistic aspect atonal audiences ballet Bartok basis Brahms British music Bruckner character chord classical colour composer's composers composition convey creative Debussy Debussy's devices Diaghilev diatonic dramatic earlier effect element Elgar emotional episode example expression fact Falla film flavour folk-music folk-song formal Fourth Symphony freedom Gustav Holst harmonic Hindemith Holst ideal idiom imagination impressionism impressionist jazz later leitmotiv less Liszt lyrical Meistersinger melody modern movement music-drama musical thought musicians Mussorgsky nature neo-classic neo-classicism nineteen-twenties nineteenth century opera orchestral original Parsifal period Peter Grimes Petrushka Piano Concerto poetic polytonal posers principle programme music Prokofiev Quartet realised recognised represent rhythm rhythmic Richard Strauss romantic romanticism Russian Schonberg score sense Sibelius Sibelius's significant song Soviet strange Strauss Stravinsky structure style symphonic poems Tchaikovsky technical technique texture theme tion tonal tradition Tristan twelve-note twentieth century Vaughan Williams Violin Concerto Wagner Wagnerian Walton Wozzeck writing written