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THE PHILOSOPHICAL APPROACH
PERCEIVING MUSIC INTELLECTUALLY
PERCEIVING MUSIC EMOTIONALLY
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activity amateur artistic audible Augustinian basic Boethius cents century chordal chords combination tones composer composer's composition composition's conductor construction course creative culture degree demand effect effort emotional reactions enjoyment entirely equal temperament expression fact factors feelings fifth harmony human human voice ideal ideas images imagination intellectual keyboard keyboard instruments kind knowledge listener listener's major third means ment mental merely method metrical mind minor second modern moral musi musical creation musical experience musical form musical impressions musical material musical space musicians natural never octave onomatopoetic orchestra organized music participants perfection performance performer's piano piece players playing possible produce program music progress pure intervals rattling reason rhythm rhythmic riveting machine seems singers singing sound spatial string string instruments style succession syntonic comma talent teachers teaching technical and stylistic technique temporal theory tion tonal tones understand violin vocal wind instruments writes music