A Critical Introduction to Twentieth-Century American Drama: Volume 2, Williams, Miller, Albee
This is the second volume in Christopher Bigsby's critical history of the important American dramatists and theatrical movements in the twentieth-century. Volume 1 brought the story to 1940 and included the last plays of O'Neill. In two further volumes Dr Bigsby covers the period from 1940 onwards. In Volume 2 he steps aside from the strict chronological progression to consider at length and in detail the achievement of the three great playwrights who dominate the post-war scene and who have earned an international reputation: Tennessee Williams, Arthur Miller and Edward Albee. All three brought to the Broadway Theatre (discussed separately in Volume 3) a strong degree of moral seriousness and aesthetic sensitivity. Dr Bigsby gives a full account of the early unpublished plays and the major works by each playwright, drawing on biographical detail and political background to illuminate his reading of the plays, which are illustrated by photographs of important productions.
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A Critical Introduction to Twentieth-Century American Drama: Volume 3 ...
C. W. E. Bigsby
Limited preview - 1985
A Critical Introduction to Twentieth-Century American Drama: Volume 2 ...
C. W. E. Bigsby
No preview available - 1984
accept acknowledge action Afraid of Virginia Albee's ambiguous American apparently Arthur Miller artist assertion audience becomes betrayal Biff Blanche Brick Broadway career central characters collapse concern confession conviction corruption created crucial death denied desperate destroyed drama dramatised dreams early plays Edward Albee Elia Kazan existence experience fact failure father fear fiction finally force freedom Glass Menagerie guilt Humanities Research Center Ibid illusions imagination Incident at Vichy individual insists irony Kazan kind language less lives merely metaphysical moral myth nature never offered Orpheus Descending perhaps play's playwright political precisely Proctor protagonists reality recognise relationship resist responsibility role Rose Tattoo Salesman seems sense sexual simply social society Streetcar Named Desire Summer and Smoke survival T. S. Eliot Tennessee Williams Texas at Austin theatre theatrical theme thing Tiny Alice truth University of Texas values Virginia Woolf Who's Afraid Williams's Willy Loman writer Zoo Story
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