A cultural study of the art film, Book 2
Approaches the films as works of art with notations of prevailing crucial response. Each major film coverage begins with a 'data block', giving dated, personnel, etc. so that the textual material can move directly to substantive aspects. Material is not only presented as a text resource of information, but a correlation of film with other media.
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a Symphony of Horrors Figure 3 The Battleship Potemkin Figure 4 Orpheus Figure 5 Grand Illusion Figure 6 Children of Paradise Figure 7 The Bicy...
TABLE OF CONTENTS
Viridiana Figure 9 Wild Strawberries Figure 10 Persona
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actor Amarcord American Andrei Tarkovsky Antonioni appears beautiful became becomes black and white camera career cast centered character cinema cinematography color critical death director documentary Dolce Vita dramatic early echo element epic event fantasy Fassbinder Fassbinder's feature Federico Fellini Fellini female film film's filmmakers focus force frame French New Wave German girl Guido Herzog human images issues Italian Juliet L'Avventura L'Eclisse major Makavejev Marcello marriage masterpiece Mastroianni material metaphor Michelangelo Antonioni mother mysterious narrative nature Neorealist Nights of Cabiria Nino Rota offers Photography play political portrayed present Production protagonist Rainer Fassbinder reality realize released retreat ritual Robby Muller role scene Schlondorff screen seek self-reflexive sexual shot society spirit stage star Stroszek structure style stylistic stylized symbol Tarkovsky thematic theme Titta's tone tracking trilogy underscored Variety Lights viewer visual Wajda Wenders Werner Herzog wife Wim Wenders young Zabriskie Point