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NATURE OP THE AESTHETIC
CONCLUSIONS REGARDING COSTUME ON THE BASIS
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acts aesthetic nature Alwin Nikolais apparel appearance architecture Arnold Hauser artist audience basic bauhaus beauty become Bernard Berenson Cecil Beaton chasuble clothes color concentration consciousness considered costume costur.e culture describe designs Dior discussion dress dressmakers eighteenth century elements experience expression fabric fashion feeling garments haute couture Hippias Horatio Greenough human body Ibid ideas iiew imitation important individual influence interaction intuition John Fairchild Kant Kiddle Ages kind Latour Leonardo lives London lork Louis Sullivan machine materials means middle class mind movement nature of costume nineteenth century objects painting particular patterns Paul Poiret perception person philosophers Photograph Plate Plato Plotinus Poiret possible problem production psychological purpose qualities relation result ritual Rudolf Arnheim sculpture sense seventeenth century shape social structure style stylization symbols theater Theatre Intime theory things thought trans Turandot twentieth century understanding various Vionnet wearer wearing women worn York