A Grammar of the Arts |
Contents
INTRODUCTION | xxv |
CHRONOLOGICAL SUMMARY | xxxvii |
THE GUIDING PRINCIPLES | 1 |
Copyright | |
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aesthetic Alfred Stevens appear architecture artist attained Baroque beauty bronze brush brush drawing building cabinet picture carved century character China Chinese classical colour contrast craft craftsmen decorative Donatello drawing dynasty effect Egypt Egyptian elaborate element Elie Faure employed England engraving etching Europe example fashion feeling figures France genius geometrical Giorgione glass Gothic Grammar Greece Greek harmony imitation inspiration instinct Italy Japan Japanese landscape less light lines lively Magdalenian master material medium ment Mesopotamia metal metalwork mezzotint Michelangelo Ming dynasty Mino da Fiesole models modern motive movement Museum natural naturalistic Neolithic Oriental ornament painters painting Palaeolithic pattern Persia plain Plate porcelain portrait pottery practice principles printed produced Raphael realism relief Rembrandt Renaissance resemblance result rhythm rhythmical romantic Rubens scale sculpture Sheffield Plate similar simple skill spirit statuettes stone structure style surface symbol taste things Tintoretto tion Titian tone tradition Vermeer vivid ware wood