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The Field of Aesthetics
The Aesthetic Experience II
The Work of Art
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active forms adequately aesthetic attitude aesthetic criticism aesthetic experience aesthetic media aesthetic quality aesthetic reaction architecture aroused artist aspects attributes auditory beauty become building chapter character colors complex concrete consonant and dissonant contemplation contrast convey created creation creative dance decoration Denman Ross desired drama effect emotional empathic response employed essential example expressive values feelings felt felt-qualities formal values fulfill functional fitness hence human values images important impulse intensity involved less lines literary literature major third material means minor arts mood motif motion picture movements musical composition nature nonpurposive novel object organic painting pattern perceived perception plastic arts play Psychology of Beauty pure purpose R. G. Collingwood Ralph Adams Cram recognizable relationships rhythm satisfaction says sculpture sense significance similar sounds specific function static statue subject matter symphony task temporal terra cotta texture thematic variation theme timbre tion tonal tones types unique unity visual perception vocables words