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The Print as an Original
The Historical Background of Originality
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acid aesthetic all-rag board aquatint areas artist artist's proofs burin cardboard coated collecting collector collographs color printing copies copper copperplate crayon dealer dots drawing drypoint edge edition effect example expert exposed facsimiles fibers glass grain graphic gravure grease halftone hand harden hinges humidity impressions incised instance intaglio printing invention laid lift-ground light limited lines lithographs margin mark master design matted prints Mauricio Lasansky medium metal plate method mezzotint modern monotype museum numbering prints oil painting old master prints old masters original print papermaking past pencil perfect photographic photogravure photomechanical reproduction picture pigment practice Print Council Print Market printer printmaking problem produced relief printing repro restoration screen Serigraphy sheet of paper signature signed silk-screen printing soft-ground etching Solander boxes steel-facing stencil stipple stone surface tape textiles thick tion tone transfer trial proofs usually wood block wood engraving wood pulp woodcut zinc plate