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Evolution of a philosophy of musical expression
THE PHYSICAL AND PHILOSOPHICAL
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aesthetic Affektenlehre artistic aspects AufklMrung Bach's Baroque music Burney C. P. E. Bach chapter Charles Avison Classic composer composition considered convey expression Couperin cultural D'Alembert Descartes Diderot dissonance doctrine edited eighteenth century emotion Empfindsamkeit Encyclopedists Enlightenment France Francesco Geminiani Frederick French music French opera galant German Hamburg Handel harmonic principle Harmonique harmony human ideas imitation important instrumental music Italian J. S. Bach Jean-Philippe Rameau Johann Mattheson Kant language listener London Marpurg melody mid-eighteenth century modern moral movement music theorists musical expression musical philosophy musical style musician Musique nature Orchestre ornamentation Paris passions performer period philosophy of musical Playing the Flute poetry polyphony Quantz Quantz's Versuch quoted in GR quoted in Lenneberg Rameau and Mattheson rationalistic reason represented Rococo Rousseau rules sentiment social Sonata soul sounds Source Readings Strunk stylistic symbolism taste Traite translated treatises trends University Press Vollkommene Capellmeister W. W. Norton Wessel York