What people are saying - Write a review
We haven't found any reviews in the usual places.
Musical Culture in Ancient and Medieval Russia
Russian Musical Culture in the Eighteenth Century
Russian Musical Culture 18001850
26 other sections not shown
Other editions - View all
artistic Asafiev aspects Baba Yaga Balakirev ballet beauty became Beethoven's Boris Boris Godunov Borodin bylinas character characteristics characterized classical colorful Communist compositions concerto conservatory creative culture dance Dargomijsky dramatic elements emotional epic episodes esthetic evokes expression feelings genres Glinka harmonic heroes heroic Ibid ideas imagery influenced intonations Kabalevsky Khachaturyan Kikimora Korsakov libretto Liszt Ludmila Lyadov lyrical main theme melodies ment Moscow motives movement music critic musical forms Mussorgsky Natasha nineteenth century Novgorod Onegin opera orchestral peasant Petersburg piano played plot poem popular Prince Prokofiev Pushkin's Rachmaninov Rachmaninov's realism reality reflect representations represents reveal rhythmic Rimsky-Korsakov romantic Rubinstein Ruslan Ruslan and Ludmila Russian composers Russian folk songs Russian music Russian national Sadko scene Scriabin Shostakovich sian Sixth Symphony skomorokhs social sonata sonata form Soviet ballet Soviet music Soviet realism Stasov story struggle style subordinate theme Taneyev Tatyana Tchaikovsky Theater thematic tions tonal tone traditions Tsar waltz Western