A History of Artists' Film and Video in Britain, 1897-2004
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997, respectively) for work made on video. This fin-de-siécle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental filmmakers.
Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to reinvigorate such time-honored subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain--a tradition that has been only intermittently written about until now.
This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart.
Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organizations that have supported the art form's development. In so doing it greatly enlarges the scope of any understanding of "British cinema" and demonstrates the crucial importance of the moving image to British art history.
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abstract films American animation Arts Council Arts Lab avant-garde Avant-garde Film Basil Wright became Britain camera catalogue Cavalcanti Co-op group collage colour commercial contemporary contributed David Derek Jarman developed documentary Dwoskin early Eatherley editing exhibition expanded cinema experience explored feature films Festival film and video Film Art Film Society film-making film's footage Free Cinema Gallery Grierson Hayward Gallery Humphrey Jennings imagery included Independent Jarman Jennings John John Grierson landscape later Len Lye LFMC London Filmmakers Co-op loops magazine Malcolm Le Grice Margaret Tait Michael Mike movement moving image narrative Nicolson Norman McLaren O'Pray organised painter painting performance Peter Gidal photographs portrait production projected projector recorded relationship scene screen sculpture sequences Serpentine Gallery shot shown sound space structural film Studio International Super tapes Tate television theme Tony video art video artists viewer visual Warhol women workshop