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CHAPTER PAGE I The Music of Antiquity
The Middle Ages
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admirable altogether American artistic ballet Beethoven beginning Berlioz born cantatas Cesar Franck chamber-music chant character charm Chopin choral chords church classic Claude Debussy clavecin color comic opera composer composition concert Conservatoire counterpoint dance Debussy drama eighteenth century emotion expression France French music fugue Gabriel Faure genius genus German Gluck Gounod Handel harmony Haydn History of Music ideas imitation influence inspiration instruments invention Italian Italian opera Italy Johann Sebastian Bach Liszt Lully melody Mendelssohn Meyerbeer movement Mozart musicale musicians musique nature notably Opera-Comique oratorio orchestra organ organist overture Paris passion performed piano played poetic polyphony Quarterly Rameau recitative religious rhythm Romain Rolland Rossini Saint-Saens Schubert Schumann score sentiment singers singing sonata song soul stage style success symphonic poem Symphony theatre theme thought tion tonality took trans Vienna Vincent d'Indy violin virtuoso vocal voice Wagner Weber wished write written wrote