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CHAPTER PAGE I The Music of Antiquity
The Middle Ages
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admirable altogether artistic ballet bass Beethoven beginning Berlioz born cantatas Cesar Franck chamber-music chant character charm Chopin choral chords choruses church classic Claude Debussy clavecin comic opera composer composition concert counterpoint court dance Debussy drama eighteenth century emotion ensemble expression France French music fugue Gabriel Faure genius genus German Gluck Greek Gregorian chant Handel harmony Haydn History of Music idea imitation influence inspiration instruments invention Italian Italian opera Italy Johann Sebastian Bach later Liszt Lully melody Mendelssohn movement Mozart musicians musique nature Opera-Comique oratorio orchestra organ organist overture Paris passion performed piano played poem polyphony Quarterly quartet Rameau recitative religious rhythm Romain Rolland Rossini Saint-Saens Scarlatti Schiitz Schubert Schumann score sentiment singers singing solo sonata song soul stage string style success Symphony theatre theme tion tonality trans Vienna Vincent d'Indy violin virtuoso vocal voices Wagner Weber wished write written wrote